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Louise Bourgeois, Crochet I, 1998
Mixografia Print on Handmade Paper, 33 x 28 inches
1 / 263

Louise Bourgeois, Crochet I, 1998

Mixografia Print on Handmade Paper, 33 x 28 inches

Louise Bourgeois | Crochet I | 1998 | Contessa Gallery
Louise Bourgeois, Crochet II, 1998
Mixografia Print on Handmade Paper, 28 x 33 inches
2 / 263

Louise Bourgeois, Crochet II, 1998

Mixografia Print on Handmade Paper, 28 x 33 inches

Louise Bourgeois | Crochet II | 1998 | Contessa Gallery
Louise Bourgeois, Spider, 1995
Drypoint Etching, 21 1/4 x 15 7/8 inches
3 / 263

Louise Bourgeois, Spider, 1995

Drypoint Etching, 21 1/4 x 15 7/8 inches

Louise Bourgeois | Spider | 1995 | Contessa Gallery
Alex G. Cao, BASQUIATPHILISTINES vs BASQUIAT, 2013
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
4 / 263

Alex G. Cao, BASQUIATPHILISTINES vs BASQUIAT, 2013

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | BASQUIATPHILISTINES vs BASQUIAT | 2013 | Contessa Gallery
Alex G. Cao, ELVIS vs WARHOL, 2012
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
5 / 263

Alex G. Cao, ELVIS vs WARHOL, 2012

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | ELVIS vs WARHOL | 2012 | Contessa Gallery
Alex G. Cao, I CARE, AFTER LICHTENSTEIN, 2012
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
6 / 263

Alex G. Cao, I CARE, AFTER LICHTENSTEIN, 2012

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | I CARE, AFTER LICHTENSTEIN | 2012 | Contessa Gallery
Alex G. Cao, KISS KLIMT vs RODIN, 2012
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
7 / 263

Alex G. Cao, KISS KLIMT vs RODIN, 2012

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | KISS KLIMT vs RODIN | 2012 | Contessa Gallery
Alex G. Cao, LISA vs PENN, AFTER PENN, 2012
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
8 / 263

Alex G. Cao, LISA vs PENN, AFTER PENN, 2012

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | LISA vs PENN, AFTER PENN | 2012 | Contessa Gallery
Alex G. Cao, MATISSE DANCE vs MUNCH SCREAM, 2012
Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches
9 / 263

Alex G. Cao, MATISSE DANCE vs MUNCH SCREAM, 2012

Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches

Alex G. Cao | MATISSE DANCE vs MUNCH SCREAM | 2012 | Contessa Gallery
Alex G. Cao, POLLOCK vs POLLOCK, AFTER POLLOCK, 2012
Chromogenic Print with Dibond Plexiglass, 60 x 120 inches
10 / 263

Alex G. Cao, POLLOCK vs POLLOCK, AFTER POLLOCK, 2012

Chromogenic Print with Dibond Plexiglass, 60 x 120 inches

Alex G. Cao | POLLOCK vs POLLOCK, AFTER POLLOCK | 2012 | Contessa Gallery
Alex G. Cao, WAR AND PEACE, PICASSO vs MATISSE, 2012
Chromogenic Print with Dibond Plexiglass, 53 x 102 inches
11 / 263

Alex G. Cao, WAR AND PEACE, PICASSO vs MATISSE, 2012

Chromogenic Print with Dibond Plexiglass, 53 x 102 inches

Alex G. Cao | WAR AND PEACE, PICASSO vs MATISSE | 2012 | Contessa Gallery
Alex G. Cao, COURBETPORTRAIT vs COURBETORIGIN, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
12 / 263

Alex G. Cao, COURBETPORTRAIT vs COURBETORIGIN, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | COURBETPORTRAIT vs COURBETORIGIN | 2011 | Contessa Gallery
Alex G. Cao, ERMINE vs DAVINCI, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
13 / 263

Alex G. Cao, ERMINE vs DAVINCI, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | ERMINE vs DAVINCI | 2011 | Contessa Gallery
Alex G. Cao, FLAG vs JFK, 2011
Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches
14 / 263

Alex G. Cao, FLAG vs JFK, 2011

Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches

Alex G. Cao | FLAG vs JFK | 2011 | Contessa Gallery
Alex G. Cao, I LOVE YOU, TOO, LICHTENSTEIN vs LICHTENSTEIN, 2011
Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches
15 / 263

Alex G. Cao, I LOVE YOU, TOO, LICHTENSTEIN vs LICHTENSTEIN, 2011

Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches

Alex G. Cao | I LOVE YOU, TOO, LICHTENSTEIN vs LICHTENSTEIN | 2011 | Contessa Gallery
Alex G. Cao, INGRESBATH vs COURBETORIGIN, 2011
Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches
16 / 263

Alex G. Cao, INGRESBATH vs COURBETORIGIN, 2011

Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches

Alex G. Cao | INGRESBATH vs COURBETORIGIN | 2011 | Contessa Gallery
Alex G. Cao, LEREVE, MARIETHERESE vs PICASSO, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
17 / 263

Alex G. Cao, LEREVE, MARIETHERESE vs PICASSO, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | LEREVE, MARIETHERESE vs PICASSO | 2011 | Contessa Gallery
Alex G. Cao, LIZ vs BURTON, AFTER HALSMAN, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
18 / 263

Alex G. Cao, LIZ vs BURTON, AFTER HALSMAN, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | LIZ vs BURTON, AFTER HALSMAN | 2011 | Contessa Gallery
Alex G. Cao, MANRAYTEAR vs TEAR, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
19 / 263

Alex G. Cao, MANRAYTEAR vs TEAR, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MANRAYTEAR vs TEAR | 2011 | Contessa Gallery
Alex G. Cao, MARIETHERESE vs PICASSO, 2011
Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches
20 / 263

Alex G. Cao, MARIETHERESE vs PICASSO, 2011

Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches

Alex G. Cao | MARIETHERESE vs PICASSO | 2011 | Contessa Gallery
Alex G. Cao, MICKJAGGER vs KEITHRICHARDS, AFTER VADUKUL, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
21 / 263

Alex G. Cao, MICKJAGGER vs KEITHRICHARDS, AFTER VADUKUL, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MICKJAGGER vs KEITHRICHARDS, AFTER VADUKUL | 2011 | Contessa Gallery
Alex G. Cao, MODIGILIANI vs MARILYN, 2011
Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches
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Alex G. Cao, MODIGILIANI vs MARILYN, 2011

Chromogenic Print with Dibond Plexiglass, 40 x 60 inches; 72 x 108 inches

Alex G. Cao | MODIGILIANI vs MARILYN | 2011 | Contessa Gallery
Alex G. Cao, NAPOLEON vs JOSEPHINE, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, NAPOLEON vs JOSEPHINE, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | NAPOLEON vs JOSEPHINE | 2011 | Contessa Gallery
Alex G. Cao, SINATRA vs MINNELLI II, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, SINATRA vs MINNELLI II, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | SINATRA vs MINNELLI II | 2011 | Contessa Gallery
Alex G. Cao, STEVEJOBS vs NEILARMSTRONG, AFTER WATSON, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, STEVEJOBS vs NEILARMSTRONG, AFTER WATSON, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | STEVEJOBS vs NEILARMSTRONG, AFTER WATSON | 2011 | Contessa Gallery
Alex G. Cao, VENUS vs DAVID, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
26 / 263

Alex G. Cao, VENUS vs DAVID, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | VENUS vs DAVID | 2011 | Contessa Gallery
Alex G. Cao, WESTONNUDE vs WESTONPEPPER, 2011
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, WESTONNUDE vs WESTONPEPPER, 2011

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | WESTONNUDE vs WESTONPEPPER | 2011 | Contessa Gallery
Alex G. Cao, BRIGITTEBARDOT vs CATHERINEDENEUVE, AFTER AVEDON, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, BRIGITTEBARDOT vs CATHERINEDENEUVE, AFTER AVEDON, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | BRIGITTEBARDOT vs CATHERINEDENEUVE, AFTER AVEDON | 2010 | Contessa Gallery
Alex G. Cao, ELVIS vs JOHNLENNON, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, ELVIS vs JOHNLENNON, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | ELVIS vs JOHNLENNON | 2010 | Contessa Gallery
Alex G. Cao, GANDHI vs MOTHERTERESA, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
30 / 263

Alex G. Cao, GANDHI vs MOTHERTERESA, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | GANDHI vs MOTHERTERESA | 2010 | Contessa Gallery
Alex G. Cao, HORST vs DEGAS, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
31 / 263

Alex G. Cao, HORST vs DEGAS, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | HORST vs DEGAS | 2010 | Contessa Gallery
Alex G. Cao, KATE vs DAVID, AFTER AVEDON, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
32 / 263

Alex G. Cao, KATE vs DAVID, AFTER AVEDON, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | KATE vs DAVID, AFTER AVEDON | 2010 | Contessa Gallery
Alex G. Cao, MAO vs WARHOL, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
33 / 263

Alex G. Cao, MAO vs WARHOL, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MAO vs WARHOL | 2010 | Contessa Gallery
Alex G. Cao, MOTHERTERESA vs GANDHI, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
34 / 263

Alex G. Cao, MOTHERTERESA vs GANDHI, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MOTHERTERESA vs GANDHI | 2010 | Contessa Gallery
Alex G. Cao, ORCHID vs MAPPLETHORPE, AFTER MAPPLETHORPE, 2010
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
35 / 263

Alex G. Cao, ORCHID vs MAPPLETHORPE, AFTER MAPPLETHORPE, 2010

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | ORCHID vs MAPPLETHORPE, AFTER MAPPLETHORPE | 2010 | Contessa Gallery
Alex G. Cao, HEPBURN vs DIETRICH, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
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Alex G. Cao, HEPBURN vs DIETRICH, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | HEPBURN vs DIETRICH | 2009 | Contessa Gallery
Alex G. Cao, JAMESDEAN vs ELVIS, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
37 / 263

Alex G. Cao, JAMESDEAN vs ELVIS, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | JAMESDEAN vs ELVIS | 2009 | Contessa Gallery
Alex G. Cao, LAUREN vs LEIGHTON, BATH OF PSYCHE, AFTER AVEDON, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
38 / 263

Alex G. Cao, LAUREN vs LEIGHTON, BATH OF PSYCHE, AFTER AVEDON, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | LAUREN vs LEIGHTON, BATH OF PSYCHE, AFTER AVEDON | 2009 | Contessa Gallery
Alex G. Cao, LINCOLN vs OBAMA, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
39 / 263

Alex G. Cao, LINCOLN vs OBAMA, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | LINCOLN vs OBAMA | 2009 | Contessa Gallery
Alex G. Cao, MAO vs MARILYN, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
40 / 263

Alex G. Cao, MAO vs MARILYN, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MAO vs MARILYN | 2009 | Contessa Gallery
Alex G. Cao, MARILYN vs BRIGITTE, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
41 / 263

Alex G. Cao, MARILYN vs BRIGITTE, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MARILYN vs BRIGITTE | 2009 | Contessa Gallery
Alex G. Cao, MARILYN vs MONALISA, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
42 / 263

Alex G. Cao, MARILYN vs MONALISA, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | MARILYN vs MONALISA | 2009 | Contessa Gallery
Alex G. Cao, OBAMA vs LINCOLN, 2009
Chromogenic Print with Dibond Plexiglass, 108 x 72 inches
43 / 263

Alex G. Cao, OBAMA vs LINCOLN, 2009

Chromogenic Print with Dibond Plexiglass, 108 x 72 inches

Alex G. Cao | OBAMA vs LINCOLN | 2009 | Contessa Gallery
Alex G. Cao, PRINCESSDIANA vs PRINCESSGRACE, 2009
Chromogenic Print with Dibond Plexiglass, 108 x 72 inches
44 / 263

Alex G. Cao, PRINCESSDIANA vs PRINCESSGRACE, 2009

Chromogenic Print with Dibond Plexiglass, 108 x 72 inches

Alex G. Cao | PRINCESSDIANA vs PRINCESSGRACE | 2009 | Contessa Gallery
Alex G. Cao, PRINCESSGRACE vs PRINCERAINIER, 2009
Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches
45 / 263

Alex G. Cao, PRINCESSGRACE vs PRINCERAINIER, 2009

Chromogenic Print with Dibond Plexiglass, 60 x 40 inches; 108 x 72 inches

Alex G. Cao | PRINCESSGRACE vs PRINCERAINIER | 2009 | Contessa Gallery
Mary Cassatt, The Picture Book, ca. 1901
Drypoint, 8 1/2 x 5 7/8 inches
46 / 263

Mary Cassatt, The Picture Book, ca. 1901

Drypoint, 8 1/2 x 5 7/8 inches

Mary Cassatt | The Picture Book | ca. 1901 | Contessa Gallery
Mary Cassatt, The Parrot, ca. 1891
Drypoint, 6 1/2 x 4 3/4 inches
47 / 263

Mary Cassatt, The Parrot, ca. 1891

Drypoint, 6 1/2 x 4 3/4 inches

Mary Cassatt | The Parrot | ca. 1891 | Contessa Gallery
Mary Cassatt, The Stocking, ca. 1890
Drypoint Printed in Brown Ink on Green Laid Paper, 10 1/8 x 7 3/8 inches
48 / 263

Mary Cassatt, The Stocking, ca. 1890

Drypoint Printed in Brown Ink on Green Laid Paper, 10 1/8 x 7 3/8 inches

Mary Cassatt | The Stocking | ca. 1890 | Contessa Gallery
Marc Chagall, The Dead Dolphin & The 300 Drachmas, 1961
Lithograph, 21 x 15 inches
49 / 263

Marc Chagall, The Dead Dolphin & The 300 Drachmas, 1961

Lithograph, 21 x 15 inches

Marc Chagall | The Dead Dolphin & The 300 Drachmas | 1961 | Contessa Gallery
Chuck Close, Self-Portrait, 2016
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 40 x 30 inches
50 / 263

Chuck Close, Self-Portrait, 2016

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 40 x 30 inches

Chuck Close | Self-Portrait | 2016 | Contessa Gallery
Chuck Close, Cindy (Smile), 2013
Archival Watercolor Pigment Print on Hahnemühle Rag Paper, 75 x 60 inches
51 / 263

Chuck Close, Cindy (Smile), 2013

Archival Watercolor Pigment Print on Hahnemühle Rag Paper, 75 x 60 inches

Chuck Close | Cindy (Smile) | 2013 | Contessa Gallery
Chuck Close, Self-Portrait (Pink T-shirt), 2013
Watercolor Print, 75 x 60 inches
52 / 263

Chuck Close, Self-Portrait (Pink T-shirt), 2013

Watercolor Print, 75 x 60 inches

Chuck Close | Self-Portrait (Pink T-shirt) | 2013 | Contessa Gallery
Chuck Close, Self-Portrait (Yellow Raincoat), 2013
Archival Watercolor Pigment Print on Hahnemühle Rag Paper, 75 x 60 inches
53 / 263

Chuck Close, Self-Portrait (Yellow Raincoat), 2013

Archival Watercolor Pigment Print on Hahnemühle Rag Paper, 75 x 60 inches

Chuck Close | Self-Portrait (Yellow Raincoat) | 2013 | Contessa Gallery
Chuck Close, Sienna (3/4 View), 2013
Archival Watercolor Pigment Print on Hahnemühle Rag Paper, 75 x 60 inches
54 / 263

Chuck Close, Sienna (3/4 View), 2013

Archival Watercolor Pigment Print on Hahnemühle Rag Paper, 75 x 60 inches

Chuck Close | Sienna (3/4 View) | 2013 | Contessa Gallery
Chuck Close, Zhang Huan II, 2013
59 color silkscreen with airbrush, 57 1/8 x 48 1/2 inches
55 / 263

Chuck Close, Zhang Huan II, 2013

59 color silkscreen with airbrush, 57 1/8 x 48 1/2 inches

Chuck Close | Zhang Huan II | 2013 | Contessa Gallery
Chuck Close, Brad, 2012
Woodburytype, 14 x 11 inches
56 / 263

Chuck Close, Brad, 2012

Woodburytype, 14 x 11 inches

Chuck Close | Brad | 2012 | Contessa Gallery
Chuck Close, Brad, 2012
Woodburytype, 14 x 11 inches
57 / 263

Chuck Close, Brad, 2012

Woodburytype, 14 x 11 inches

Chuck Close | Brad | 2012 | Contessa Gallery
Chuck Close, Brad, 2012
Woodburytype, 14 x 11 inches
58 / 263

Chuck Close, Brad, 2012

Woodburytype, 14 x 11 inches

Chuck Close | Brad | 2012 | Contessa Gallery
Chuck Close, Cecily, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
59 / 263

Chuck Close, Cecily, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Cecily | 2012 | Contessa Gallery
Chuck Close, Kara, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
60 / 263

Chuck Close, Kara, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Kara | 2012 | Contessa Gallery
Chuck Close, Kate Diptych, 2012
Woodburytype, 14 x 11 inches
61 / 263

Chuck Close, Kate Diptych, 2012

Woodburytype, 14 x 11 inches

Chuck Close | Kate Diptych | 2012 | Contessa Gallery
Chuck Close, Linda, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
62 / 263

Chuck Close, Linda, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Linda | 2012 | Contessa Gallery
Chuck Close, Mark, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
63 / 263

Chuck Close, Mark, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Mark | 2012 | Contessa Gallery
Chuck Close, Nat, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
64 / 263

Chuck Close, Nat, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Nat | 2012 | Contessa Gallery
Chuck Close, Self-Portrait, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
65 / 263

Chuck Close, Self-Portrait, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Self-Portrait | 2012 | Contessa Gallery
Chuck Close, Susan, 2012
Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches
66 / 263

Chuck Close, Susan, 2012

Multiples made using felt stamps to hand apply oil paints on a silkscreen ground, 33 1/2 x 27 1/2 inches

Chuck Close | Susan | 2012 | Contessa Gallery
Chuck Close, Phil Crosshatch, 2010
Engraving with embossment on Twinrocker handmade paper, 52 x 40 inches
67 / 263

Chuck Close, Phil Crosshatch, 2010

Engraving with embossment on Twinrocker handmade paper, 52 x 40 inches

Chuck Close | Phil Crosshatch | 2010 | Contessa Gallery
Chuck Close, Phil Houndstooth, 2009
Engraving with embossment on Twinrocker handmade paper, 52 x 40 inches
68 / 263

Chuck Close, Phil Houndstooth, 2009

Engraving with embossment on Twinrocker handmade paper, 52 x 40 inches

Chuck Close | Phil Houndstooth | 2009 | Contessa Gallery
Chuck Close, Phil/Fingerprint, 2009
Screenprint, 55 1/2 x 44 inches
69 / 263

Chuck Close, Phil/Fingerprint, 2009

Screenprint, 55 1/2 x 44 inches

Chuck Close | Phil/Fingerprint | 2009 | Contessa Gallery
Chuck Close, Self-Portrait (anamorphic), 2009
16 Color silkscreen on Toshanga paper, polished stainless steel cylinder, and maple wooden box/platform, 27 x 27 x 11 1/4 inches
70 / 263

Chuck Close, Self-Portrait (anamorphic), 2009

16 Color silkscreen on Toshanga paper, polished stainless steel cylinder, and maple wooden box/platform, 27 x 27 x 11 1/4 inches

Chuck Close | Self-Portrait (anamorphic) | 2009 | Contessa Gallery
Chuck Close, Self-Portrait, Woodcut, 2009
Woodcut in 47 Colors, 35 1/2 x 28 1/2 inches
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Chuck Close, Self-Portrait, Woodcut, 2009

Woodcut in 47 Colors, 35 1/2 x 28 1/2 inches

Chuck Close | Self-Portrait, Woodcut | 2009 | Contessa Gallery
Chuck Close, Untitled, Set of 3 (Brad #1, #2, #3), 2009
Archival Pigment Prints, 30 x 23 inches (each)
72 / 263

Chuck Close, Untitled, Set of 3 (Brad #1, #2, #3), 2009

Archival Pigment Prints, 30 x 23 inches (each)

Chuck Close | Untitled, Set of 3 (Brad #1, #2, #3) | 2009 | Contessa Gallery
Chuck Close, Kara, 2008
Archival Pigment Print on Fiva Innova Gloss Paper, Chine-Colled to Somerset Satin Paper, 47 x 35 inches
73 / 263

Chuck Close, Kara, 2008

Archival Pigment Print on Fiva Innova Gloss Paper, Chine-Colled to Somerset Satin Paper, 47 x 35 inches

Chuck Close | Kara | 2008 | Contessa Gallery
Chuck Close, Janet/Pulp, 2007
Stenciled Handmade Paper Print, 48 x 40 inches
74 / 263

Chuck Close, Janet/Pulp, 2007

Stenciled Handmade Paper Print, 48 x 40 inches

Chuck Close | Janet/Pulp | 2007 | Contessa Gallery
Chuck Close, Self-Portrait, 2007
Screenprint in 203 Colors, 74 1/2 x 57 3/4 inches
75 / 263

Chuck Close, Self-Portrait, 2007

Screenprint in 203 Colors, 74 1/2 x 57 3/4 inches

Chuck Close | Self-Portrait | 2007 | Contessa Gallery
Chuck Close, Self-Portrait, 2007
10-Color Screenprint, 28 1/2 x 22 3/4 inches
76 / 263

Chuck Close, Self-Portrait, 2007

10-Color Screenprint, 28 1/2 x 22 3/4 inches

Chuck Close | Self-Portrait | 2007 | Contessa Gallery
Chuck Close, Self-Portrait Woodcut, 2007
47-Color Handprinted Woodcut in the Ukiyo-e Style with 39 Blocks on Shiramine Paper, 37 x 30 inches
77 / 263

Chuck Close, Self-Portrait Woodcut, 2007

47-Color Handprinted Woodcut in the Ukiyo-e Style with 39 Blocks on Shiramine Paper, 37 x 30 inches

Chuck Close | Self-Portrait Woodcut | 2007 | Contessa Gallery
Chuck Close, Lucas, 2006
Paper/Pulp in 9 Colors, 48 x 40 inches
78 / 263

Chuck Close, Lucas, 2006

Paper/Pulp in 9 Colors, 48 x 40 inches

Chuck Close | Lucas | 2006 | Contessa Gallery
Chuck Close, James, 2004
Silkscreen with 178 Colors, 69 1/4 x 54 1/4 inches
79 / 263

Chuck Close, James, 2004

Silkscreen with 178 Colors, 69 1/4 x 54 1/4 inches

Chuck Close | James | 2004 | Contessa Gallery
Chuck Close, Lyle, 2003
149-Color Silkscreen, 65 1/2 x 53 7/8 inches
80 / 263

Chuck Close, Lyle, 2003

149-Color Silkscreen, 65 1/2 x 53 7/8 inches

Chuck Close | Lyle | 2003 | Contessa Gallery
Chuck Close, Self-Portrait, Pulp, 2001
Colored, Pressed Paper Pulp, 57 1/2 x 40 inches
81 / 263

Chuck Close, Self-Portrait, Pulp, 2001

Colored, Pressed Paper Pulp, 57 1/2 x 40 inches

Chuck Close | Self-Portrait, Pulp | 2001 | Contessa Gallery
Chuck Close, Lyle, 2000
8-Color Softground Etching, 18 1/4 x 15 1/4 inches
82 / 263

Chuck Close, Lyle, 2000

8-Color Softground Etching, 18 1/4 x 15 1/4 inches

Chuck Close | Lyle | 2000 | Contessa Gallery
Chuck Close, Self-Portrait, Scribble, Etching Portfolio, 2000
Set of 25 Prints (12 One-Color Plate Proofs, 12 Progressive Proofs, One Final Signed), 19 3/4 x 16 3/4 inches (each)
83 / 263

Chuck Close, Self-Portrait, Scribble, Etching Portfolio, 2000

Set of 25 Prints (12 One-Color Plate Proofs, 12 Progressive Proofs, One Final Signed), 19 3/4 x 16 3/4 inches (each)

Chuck Close | Self-Portrait, Scribble, Etching Portfolio | 2000 | Contessa Gallery
Chuck Close, Self-Portrait/Scribble/Etching, 2000
Softground Etching from 12 Color Plates, 18 1/4 x 15 1/4 inches
84 / 263

Chuck Close, Self-Portrait/Scribble/Etching, 2000

Softground Etching from 12 Color Plates, 18 1/4 x 15 1/4 inches

Chuck Close | Self-Portrait/Scribble/Etching | 2000 | Contessa Gallery
Chuck Close, S.P. I, 1997
Linoleum Cut Printed Reductively, 24 x 18 inches
85 / 263

Chuck Close, S.P. I, 1997

Linoleum Cut Printed Reductively, 24 x 18 inches

Chuck Close | S.P. I | 1997 | Contessa Gallery
Chuck Close, S.P. II, 1997
Linoleum Cut Printed Reductively, 24 x 18 inches
86 / 263

Chuck Close, S.P. II, 1997

Linoleum Cut Printed Reductively, 24 x 18 inches

Chuck Close | S.P. II | 1997 | Contessa Gallery
Chuck Close, Self-Portrait/Spitbite/White on Black, 1997
Spitbite Aquatint, 20 1/2 x 15 3/4 inches
87 / 263

Chuck Close, Self-Portrait/Spitbite/White on Black, 1997

Spitbite Aquatint, 20 1/2 x 15 3/4 inches

Chuck Close | Self-Portrait/Spitbite/White on Black | 1997 | Contessa Gallery
Chuck Close, Alex/Reduction Print (Single), 1993
Screenprint from Reductino Carved Linoleum, 79 3/8 x 60 3/8 inches
88 / 263

Chuck Close, Alex/Reduction Print (Single), 1993

Screenprint from Reductino Carved Linoleum, 79 3/8 x 60 3/8 inches

Chuck Close | Alex/Reduction Print (Single) | 1993 | Contessa Gallery
Chuck Close, Lucas, 1988
Linocut, 31 x 22 inches
89 / 263

Chuck Close, Lucas, 1988

Linocut, 31 x 22 inches

Chuck Close | Lucas | 1988 | Contessa Gallery
Chuck Close, Self-Portrait, 1988
Spitbite Aquatint, 20 1/2 x 15 5/8 inches
90 / 263

Chuck Close, Self-Portrait, 1988

Spitbite Aquatint, 20 1/2 x 15 5/8 inches

Chuck Close | Self-Portrait | 1988 | Contessa Gallery
Chuck Close, Leslie/Fingerprint, 1986
Direct Gravure Etching, 54 1/8 x 40 3/8 inches
91 / 263

Chuck Close, Leslie/Fingerprint, 1986

Direct Gravure Etching, 54 1/8 x 40 3/8 inches

Chuck Close | Leslie/Fingerprint | 1986 | Contessa Gallery
Chuck Close, Georgia Fingerprint (State II), 1985
Direct Gravure Etching, 30 x 22 inches
92 / 263

Chuck Close, Georgia Fingerprint (State II), 1985

Direct Gravure Etching, 30 x 22 inches

Chuck Close | Georgia Fingerprint (State II) | 1985 | Contessa Gallery
Chuck Close, Georgia, 1984
Handmade Paper Pulp, 56 x 44 inches
93 / 263

Chuck Close, Georgia, 1984

Handmade Paper Pulp, 56 x 44 inches

Chuck Close | Georgia | 1984 | Contessa Gallery
Chuck Close, Robert Manipulated, 1982
Handmade Paper, 35 x 26 3/4 inches
94 / 263

Chuck Close, Robert Manipulated, 1982

Handmade Paper, 35 x 26 3/4 inches

Chuck Close | Robert Manipulated | 1982 | Contessa Gallery
Chuck Close, Self-Portrait, White Ink, 1978
Etching & Aquatint, 54 x 41 inches
95 / 263

Chuck Close, Self-Portrait, White Ink, 1978

Etching & Aquatint, 54 x 41 inches

Chuck Close | Self-Portrait, White Ink | 1978 | Contessa Gallery
Chuck Close, Keith / Mezzotint, 1972
Mezzotint, 51 x 41 7/8 inches
96 / 263

Chuck Close, Keith / Mezzotint, 1972

Mezzotint, 51 x 41 7/8 inches

Chuck Close | Keith / Mezzotint | 1972 | Contessa Gallery
Jim Dine, Watercolor Zerkall, 2004
Lithograph with Handpainted Watercolor, 41 3/4 x 30 inches
97 / 263

Jim Dine, Watercolor Zerkall, 2004

Lithograph with Handpainted Watercolor, 41 3/4 x 30 inches

Jim Dine | Watercolor Zerkall | 2004 | Contessa Gallery
Jim Dine, New Pinocchio #5, 2002
Etching, Cardboard Intaglio, Handpainting, Cardboard Relief, 56 1/2 x 33 3/4 inches
98 / 263

Jim Dine, New Pinocchio #5, 2002

Etching, Cardboard Intaglio, Handpainting, Cardboard Relief, 56 1/2 x 33 3/4 inches

Jim Dine | New Pinocchio #5 | 2002 | Contessa Gallery
Jim Dine, Lakeside, 1998
Woodcut, 47 1/2 x 38 inches
99 / 263

Jim Dine, Lakeside, 1998

Woodcut, 47 1/2 x 38 inches

Jim Dine | Lakeside | 1998 | Contessa Gallery
Jim Dine, Olympic Robe, 1988
Serigraph on Panel, 35 x 27  inches
100 / 263

Jim Dine, Olympic Robe, 1988

Serigraph on Panel, 35 x 27 inches

Jim Dine | Olympic Robe | 1988 | Contessa Gallery
Eric Fischl, New Works on Paper and in Cast Glass (Portfolio), (Arching Woman, Tumbling Woman, Crouching Woman), 2012
3 limited edition pigment prints on watercolor paper, 13 ½ x 20 inches
101 / 263

Eric Fischl, New Works on Paper and in Cast Glass (Portfolio), (Arching Woman, Tumbling Woman, Crouching Woman), 2012

3 limited edition pigment prints on watercolor paper, 13 ½ x 20 inches

Eric Fischl | New Works on Paper and in Cast Glass (Portfolio), (Arching Woman, Tumbling Woman, Crouching Woman) | 2012 | Contessa Gallery
Helen Frankenthaler, Aerie, 2009
Screenprint, 29 1/2 x 39 inches
102 / 263

Helen Frankenthaler, Aerie, 2009

Screenprint, 29 1/2 x 39 inches

Helen Frankenthaler | Aerie | 2009 | Contessa Gallery
Helen Frankenthaler, Book of Clouds, 2007
Aquatint, Etching, Woodcut & Pochoir with Hand Coloring, 35 5/8 x 68 1/4 inches
103 / 263

Helen Frankenthaler, Book of Clouds, 2007

Aquatint, Etching, Woodcut & Pochoir with Hand Coloring, 35 5/8 x 68 1/4 inches

Helen Frankenthaler | Book of Clouds | 2007 | Contessa Gallery
Helen Frankenthaler, Japanese Maple, 2005
Sixteen Color Ukiyo-e Style Woodcut, 25 x 38 inches
104 / 263

Helen Frankenthaler, Japanese Maple, 2005

Sixteen Color Ukiyo-e Style Woodcut, 25 x 38 inches

Helen Frankenthaler | Japanese Maple | 2005 | Contessa Gallery
Helen Frankenthaler, Southern Exposure, 2005
Screenprint in Colors, 30 1/2 x 37 inches
105 / 263

Helen Frankenthaler, Southern Exposure, 2005

Screenprint in Colors, 30 1/2 x 37 inches

Helen Frankenthaler | Southern Exposure | 2005 | Contessa Gallery
Helen Frankenthaler, Snow Pines, 2004
Thirty-Four Color Ukiyo-e Style Woodcut, 37 1/2 x 26 inches
106 / 263

Helen Frankenthaler, Snow Pines, 2004

Thirty-Four Color Ukiyo-e Style Woodcut, 37 1/2 x 26 inches

Helen Frankenthaler | Snow Pines | 2004 | Contessa Gallery
Helen Frankenthaler, Geisha, 2003
Twenty-Three Color Ukiyo-e Style Woodcut, 38 x 26 inches
107 / 263

Helen Frankenthaler, Geisha, 2003

Twenty-Three Color Ukiyo-e Style Woodcut, 38 x 26 inches

Helen Frankenthaler | Geisha | 2003 | Contessa Gallery
Helen Frankenthaler, Tales of Genji II, 1998
Woodcut Printed in Colors, with Pochoir, 47 x 42 inches
108 / 263

Helen Frankenthaler, Tales of Genji II, 1998

Woodcut Printed in Colors, with Pochoir, 47 x 42 inches

Helen Frankenthaler | Tales of Genji II | 1998 | Contessa Gallery
Helen Frankenthaler, Tales of Genji III, 1998
Woodcut Printed in Colors, with Pochoir, 47 x 42 inches
109 / 263

Helen Frankenthaler, Tales of Genji III, 1998

Woodcut Printed in Colors, with Pochoir, 47 x 42 inches

Helen Frankenthaler | Tales of Genji III | 1998 | Contessa Gallery
Helen Frankenthaler, Freefall, 1993
Woodcut Printed in Colors, on Hand-Dyed TGL Handmade Paper, 77 1/2 x 60 3/8 inches
110 / 263

Helen Frankenthaler, Freefall, 1993

Woodcut Printed in Colors, on Hand-Dyed TGL Handmade Paper, 77 1/2 x 60 3/8 inches

Helen Frankenthaler | Freefall | 1993 | Contessa Gallery
Helen Frankenthaler, Gateway, 1988
Etching, Aquatint, 69 x 88 inches
111 / 263

Helen Frankenthaler, Gateway, 1988

Etching, Aquatint, 69 x 88 inches

Helen Frankenthaler | Gateway | 1988 | Contessa Gallery
Paul César Helleu, Madame de Saint-Sauveur, de Profil, ca. 1910
Drypoint in Colors, 21 1/4 x 13 1/4 inches
112 / 263

Paul César Helleu, Madame de Saint-Sauveur, de Profil, ca. 1910

Drypoint in Colors, 21 1/4 x 13 1/4 inches

Paul César Helleu | Madame de Saint-Sauveur, de Profil | ca. 1910 | Contessa Gallery
Paul César Helleu, La Dame a la Toque, ca. 1906
Drypoint in Color, 21 x 13 1/4 inches
113 / 263

Paul César Helleu, La Dame a la Toque, ca. 1906

Drypoint in Color, 21 x 13 1/4 inches

Paul César Helleu | La Dame a la Toque | ca. 1906 | Contessa Gallery
Paul César Helleu, Femme au Chapeau Noir, ca. 1900
Drypoint, 15 x 11 inches
114 / 263

Paul César Helleu, Femme au Chapeau Noir, ca. 1900

Drypoint, 15 x 11 inches

Paul César Helleu | Femme au Chapeau Noir | ca. 1900 | Contessa Gallery
Paul César Helleu, La Femme du Dos (Woman from the Back), ca. 1900
Drypoint in Colors, 15 x 11 5/8 inches
115 / 263

Paul César Helleu, La Femme du Dos (Woman from the Back), ca. 1900

Drypoint in Colors, 15 x 11 5/8 inches

Paul César Helleu | La Femme du Dos (Woman from the Back) | ca. 1900 | Contessa Gallery
Paul César Helleu, Woman with Scarf, Facing Left, ca. 1900
Drypoint in Colors, 20 x 12 5/8 inches
116 / 263

Paul César Helleu, Woman with Scarf, Facing Left, ca. 1900

Drypoint in Colors, 20 x 12 5/8 inches

Paul César Helleu | Woman with Scarf, Facing Left | ca. 1900 | Contessa Gallery
Paul César Helleu, La Chapeau a Plume, ca. 1898
Color Drypoint Printed on Wove Paper, 27 x 18 inches
117 / 263

Paul César Helleu, La Chapeau a Plume, ca. 1898

Color Drypoint Printed on Wove Paper, 27 x 18 inches

Paul César Helleu | La Chapeau a Plume | ca. 1898 | Contessa Gallery
Paul César Helleu, Fillette Assise de Profil a Gauche, ca. 1895
Drypoint, 16 x 12 3/8 inches
118 / 263

Paul César Helleu, Fillette Assise de Profil a Gauche, ca. 1895

Drypoint, 16 x 12 3/8 inches

Paul César Helleu | Fillette Assise de Profil a Gauche | ca. 1895 | Contessa Gallery
Paul César Helleu, Cache - Cache, ca. 1888
Drypoint Printed on Laid Paper, 11 3/4 x 15 1/2 inches
119 / 263

Paul César Helleu, Cache - Cache, ca. 1888

Drypoint Printed on Laid Paper, 11 3/4 x 15 1/2 inches

Paul César Helleu | Cache - Cache | ca. 1888 | Contessa Gallery
Paul César Helleu, La Duchess de Marlborough, 1901
Drypoint, 25 5/8 x 11 1/2 inches
120 / 263

Paul César Helleu, La Duchess de Marlborough, 1901

Drypoint, 25 5/8 x 11 1/2 inches

Paul César Helleu | La Duchess de Marlborough | 1901 | Contessa Gallery
Paul César Helleu, Edition Sagot-Estampes & Affiches Illustées, 1898 - 1900
Lithograph in Colors, 28 1/8 x 21 1/8 inches
121 / 263

Paul César Helleu, Edition Sagot-Estampes & Affiches Illustées, 1898 - 1900

Lithograph in Colors, 28 1/8 x 21 1/8 inches

Paul César Helleu | Edition Sagot-Estampes & Affiches Illustées | 1898 - 1900 | Contessa Gallery
Paul César Helleu, Edition Sagot-Estampes & Affiches Illustrées, 1898 - 1900
Lithograph in Colors, 28 1/8 x 21 1/8 inches
122 / 263

Paul César Helleu, Edition Sagot-Estampes & Affiches Illustrées, 1898 - 1900

Lithograph in Colors, 28 1/8 x 21 1/8 inches

Paul César Helleu | Edition Sagot-Estampes & Affiches Illustrées | 1898 - 1900 | Contessa Gallery
Jasper Johns, Untitled (American Center), 1994
Lithograph, 36 1/4 x 30 1/2 inches
123 / 263

Jasper Johns, Untitled (American Center), 1994

Lithograph, 36 1/4 x 30 1/2 inches

Jasper Johns | Untitled (American Center) | 1994 | Contessa Gallery
Jasper Johns, Target with Plaster Casts (ULAE 208), 1980
Intaglio Printed in Colors, 23 1/2 x 17 3/4 inches
124 / 263

Jasper Johns, Target with Plaster Casts (ULAE 208), 1980

Intaglio Printed in Colors, 23 1/2 x 17 3/4 inches

Jasper Johns | Target with Plaster Casts (ULAE 208) | 1980 | Contessa Gallery
Jasper Johns, Untitled (ULAE 206), 1980
Lithograph in Colors
125 / 263

Jasper Johns, Untitled (ULAE 206), 1980

Lithograph in Colors

Jasper Johns | Untitled (ULAE 206) | 1980 | Contessa Gallery
Wolf Kahn, Down in the Valley, 2006
Serigraph on Paper, 35 x 40 inches
126 / 263

Wolf Kahn, Down in the Valley, 2006

Serigraph on Paper, 35 x 40 inches

Wolf Kahn | Down in the Valley | 2006 | Contessa Gallery
Wolf Kahn, Barn and Forsythia III, 2003
Serigraph on Paper, 45 x 55 1/2 inches
127 / 263

Wolf Kahn, Barn and Forsythia III, 2003

Serigraph on Paper, 45 x 55 1/2 inches

Wolf Kahn | Barn and Forsythia III | 2003 | Contessa Gallery
Roy Lichtenstein, Modern Art I (C. 300), 1996
Screenprint in Colors, 51 1/4 x 37 7/8 inches
128 / 263

Roy Lichtenstein, Modern Art I (C. 300), 1996

Screenprint in Colors, 51 1/4 x 37 7/8 inches

Roy Lichtenstein | Modern Art I (C. 300) | 1996 | Contessa Gallery
Roy Lichtenstein, Reflections on Crash, 1990
Lithograph, Screenprint, Relief and Metalized PVC Collage, 59 1/8 x 75 inches
129 / 263

Roy Lichtenstein, Reflections on Crash, 1990

Lithograph, Screenprint, Relief and Metalized PVC Collage, 59 1/8 x 75 inches

Roy Lichtenstein | Reflections on Crash | 1990 | Contessa Gallery
Roy Lichtenstein, I Love Liberty, 1982
Screenprint, 38 3/8 x 27 1/8 inches
130 / 263

Roy Lichtenstein, I Love Liberty, 1982

Screenprint, 38 3/8 x 27 1/8 inches

Roy Lichtenstein | I Love Liberty | 1982 | Contessa Gallery
Roy Lichtenstein, Reverie (C. 38), 1965
Screenprint in Colors, 27 x 23 inches
131 / 263

Roy Lichtenstein, Reverie (C. 38), 1965

Screenprint in Colors, 27 x 23 inches

Roy Lichtenstein | Reverie (C. 38) | 1965 | Contessa Gallery
Roy Lichtenstein, CRAK!, 1963/64
Lithograph Printed in Colors, 19 1/8 x 27 1/4 inches
132 / 263

Roy Lichtenstein, CRAK!, 1963/64

Lithograph Printed in Colors, 19 1/8 x 27 1/4 inches

Roy Lichtenstein | CRAK! | 1963/64 | Contessa Gallery
Peter Milton, Hidden Cities I: The Ministry (Second State), 2006
Resist Ground Etching and Engraving, 24 x 37 inches
133 / 263

Peter Milton, Hidden Cities I: The Ministry (Second State), 2006

Resist Ground Etching and Engraving, 24 x 37 inches

Peter Milton | Hidden Cities I: The Ministry (Second State) | 2006 | Contessa Gallery
Peter Milton, Hidden Cities III: Continuum, 2006
Resist Ground Etching and Engraving, 24 x 37 inches
134 / 263

Peter Milton, Hidden Cities III: Continuum, 2006

Resist Ground Etching and Engraving, 24 x 37 inches

Peter Milton | Hidden Cities III: Continuum | 2006 | Contessa Gallery
Peter Milton, In Search of Lost Time, 2006
Resist Ground Etching and Engraving, 25 x 40 inches
135 / 263

Peter Milton, In Search of Lost Time, 2006

Resist Ground Etching and Engraving, 25 x 40 inches

Peter Milton | In Search of Lost Time | 2006 | Contessa Gallery
Peter Milton, Hidden Cities II: Embarkation of Cythera, 2004
Resist Ground Etching and Engraving, 24 x 37 inches
136 / 263

Peter Milton, Hidden Cities II: Embarkation of Cythera, 2004

Resist Ground Etching and Engraving, 24 x 37 inches

Peter Milton | Hidden Cities II: Embarkation of Cythera | 2004 | Contessa Gallery
Peter Milton, Io and Jupiter, 2004
Resist Ground Etching and Engraving, 11 1/2 x 13 inches
137 / 263

Peter Milton, Io and Jupiter, 2004

Resist Ground Etching and Engraving, 11 1/2 x 13 inches

Peter Milton | Io and Jupiter | 2004 | Contessa Gallery
Peter Milton, Visions and Revisions, 2001
Resist Ground Etching and Engraving, 25 x 40 inches
138 / 263

Peter Milton, Visions and Revisions, 2001

Resist Ground Etching and Engraving, 25 x 40 inches

Peter Milton | Visions and Revisions | 2001 | Contessa Gallery
Peter Milton, Points of Departure IV: Pavane, 1999
Resist Ground Etching and Engraving, 18 x 28 inches
139 / 263

Peter Milton, Points of Departure IV: Pavane, 1999

Resist Ground Etching and Engraving, 18 x 28 inches

Peter Milton | Points of Departure IV: Pavane | 1999 | Contessa Gallery
Peter Milton, Points of Departure II: Nijinsky Variations (Second State), 1996
Resist Ground Etching and Engraving, 24 x 38 inches
140 / 263

Peter Milton, Points of Departure II: Nijinsky Variations (Second State), 1996

Resist Ground Etching and Engraving, 24 x 38 inches

Peter Milton | Points of Departure II: Nijinsky Variations (Second State) | 1996 | Contessa Gallery
Joan Miró, Équinoxe, (D. 428), 1967
Etching and Aquatint with Carborundum Printed in Colors, 41 x 29 inches
141 / 263

Joan Miró, Équinoxe, (D. 428), 1967

Etching and Aquatint with Carborundum Printed in Colors, 41 x 29 inches

Joan Miró | Équinoxe, (D. 428) | 1967 | Contessa Gallery
Joan Miró, I. Ubu Roi: Frontispiece, Naissance d'Ubu, 1966
Lithograph, 16 1/2 x 25 3/8 inches
142 / 263

Joan Miró, I. Ubu Roi: Frontispiece, Naissance d'Ubu, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | I. Ubu Roi: Frontispiece, Naissance d'Ubu | 1966 | Contessa Gallery
Joan Miró, III. Ubu Roi: Chez le Roi de Pologne, 1966
Lithograph, 16 1/2 x 25 3/8 inches
143 / 263

Joan Miró, III. Ubu Roi: Chez le Roi de Pologne, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | III. Ubu Roi: Chez le Roi de Pologne | 1966 | Contessa Gallery
Joan Miró, IV. Ubu Roi: La Revue, 1966
Lithograph, 16 1/2 x 25 3/8 inches
144 / 263

Joan Miró, IV. Ubu Roi: La Revue, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | IV. Ubu Roi: La Revue | 1966 | Contessa Gallery
Joan Miró, IX. Ubu Roi: Le Trésor et la Mère Ubu, 1966
Lithograph, 16 1/2 x 25 3/8 inches
145 / 263

Joan Miró, IX. Ubu Roi: Le Trésor et la Mère Ubu, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | IX. Ubu Roi: Le Trésor et la Mère Ubu | 1966 | Contessa Gallery
Joan Miró, V. Ubu Roi: Le Massacre du Roi de Pologne, 1966
Lithograph, 16 1/2 x 25 3/8 inches
146 / 263

Joan Miró, V. Ubu Roi: Le Massacre du Roi de Pologne, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | V. Ubu Roi: Le Massacre du Roi de Pologne | 1966 | Contessa Gallery
Joan Miró, VI. Ubu Roi: Bougrelas et Sa Mère, 1966
Lithograph, 16 1/2 x 25 3/8 inches
147 / 263

Joan Miró, VI. Ubu Roi: Bougrelas et Sa Mère, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | VI. Ubu Roi: Bougrelas et Sa Mère | 1966 | Contessa Gallery
Joan Miró, VII. Ubu Roi: Les Nobles í  la Trappe, 1966
Lithograph, 16 1/2 x 25 3/8 inches
148 / 263

Joan Miró, VII. Ubu Roi: Les Nobles í  la Trappe, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | VII. Ubu Roi: Les Nobles í  la Trappe | 1966 | Contessa Gallery
Joan Miró, VIII. Ubu Roi: Chez le Tsar, 1966
Lithograph, 16 1/2 x 25 3/8 inches
149 / 263

Joan Miró, VIII. Ubu Roi: Chez le Tsar, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | VIII. Ubu Roi: Chez le Tsar | 1966 | Contessa Gallery
Joan Miró, X. Ubu Roi: La Guerre, 1966
Lithograph, 16 1/2 x 25 3/8 inches
150 / 263

Joan Miró, X. Ubu Roi: La Guerre, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | X. Ubu Roi: La Guerre | 1966 | Contessa Gallery
Joan Miró, XI. Ubu Roi: La Nuit, L'Ours, 1966
Lithograph, 16 1/2 x 25 3/8 inches
151 / 263

Joan Miró, XI. Ubu Roi: La Nuit, L'Ours, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | XI. Ubu Roi: La Nuit, L'Ours | 1966 | Contessa Gallery
Joan Miró, XII. Ubu Roi: Le Sommeil du Pere Ubu, 1966
Lithograph, 16 1/2 x 25 3/8 inches
152 / 263

Joan Miró, XII. Ubu Roi: Le Sommeil du Pere Ubu, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | XII. Ubu Roi: Le Sommeil du Pere Ubu | 1966 | Contessa Gallery
Joan Miró, XIII. Ubu Roi: Le Voyage de Retour, 1966
Lithograph, 16 1/2 x 25 3/8 inches
153 / 263

Joan Miró, XIII. Ubu Roi: Le Voyage de Retour, 1966

Lithograph, 16 1/2 x 25 3/8 inches

Joan Miró | XIII. Ubu Roi: Le Voyage de Retour | 1966 | Contessa Gallery
Alphonse Mucha, L'Estampe Moderne Frontispiece, ca. 1898 - 1899
Lithograph in Colors, 16 x 12 inches
154 / 263

Alphonse Mucha, L'Estampe Moderne Frontispiece, ca. 1898 - 1899

Lithograph in Colors, 16 x 12 inches

Alphonse Mucha | L'Estampe Moderne Frontispiece | ca. 1898 - 1899 | Contessa Gallery
Alphonse Mucha, La Samaritaine - Sarah Bernhardt, 1899
Original Lithograph from "Les Maitres de l'Affiche" Series, 15 3/4 x 11 3/8 inches
155 / 263

Alphonse Mucha, La Samaritaine - Sarah Bernhardt, 1899

Original Lithograph from "Les Maitres de l'Affiche" Series, 15 3/4 x 11 3/8 inches

Alphonse Mucha | La Samaritaine - Sarah Bernhardt | 1899 | Contessa Gallery
Alphonse Mucha, La Dame aux Camelias, 1898
Matires de l'Affiche Lithograph, 15 3/4 x 11 3/8 inches
156 / 263

Alphonse Mucha, La Dame aux Camelias, 1898

Matires de l'Affiche Lithograph, 15 3/4 x 11 3/8 inches

Alphonse Mucha | La Dame aux Camelias | 1898 | Contessa Gallery
Alphonse Mucha, Lorenzaccio, 1898
Original Lithograph from "Les Maitres de l'Affiche" Series, 15 3/4 x 11 3/8 inches
157 / 263

Alphonse Mucha, Lorenzaccio, 1898

Original Lithograph from "Les Maitres de l'Affiche" Series, 15 3/4 x 11 3/8 inches

Alphonse Mucha | Lorenzaccio | 1898 | Contessa Gallery
Alphonse Mucha, Salon de Cents, 1897
Original Lithograph from "Les Maitres de l'Affiche" Series, 15 3/4 x 11 3/8 inches
158 / 263

Alphonse Mucha, Salon de Cents, 1897

Original Lithograph from "Les Maitres de l'Affiche" Series, 15 3/4 x 11 3/8 inches

Alphonse Mucha | Salon de Cents | 1897 | Contessa Gallery
Pablo Picasso, Grande Tíªte de Femme au Chapeau Orné, 1962
Linoleum Cut Printed in Colors, 25 1/8 x 20 3/4 inches
159 / 263

Pablo Picasso, Grande Tíªte de Femme au Chapeau Orné, 1962

Linoleum Cut Printed in Colors, 25 1/8 x 20 3/4 inches

Pablo Picasso | Grande Tíªte de Femme au Chapeau Orné | 1962 | Contessa Gallery
Pablo Picasso, Nature Morte Sous la Lampe, 1962
Linocut in Colors on Arches Paper, 25 1/4 x 20 7/8 inches
160 / 263

Pablo Picasso, Nature Morte Sous la Lampe, 1962

Linocut in Colors on Arches Paper, 25 1/4 x 20 7/8 inches

Pablo Picasso | Nature Morte Sous la Lampe | 1962 | Contessa Gallery
Pablo Picasso, Le Dejeuner sur L'Herbe, 1961
Linocut, 21 1/8 x 25 1/4 inches
161 / 263

Pablo Picasso, Le Dejeuner sur L'Herbe, 1961

Linocut, 21 1/8 x 25 1/4 inches

Pablo Picasso | Le Dejeuner sur L'Herbe | 1961 | Contessa Gallery
Pablo Picasso, Avant la Pique, 1959
Color Linocut on Arches Paper, 21 x 26 inches
162 / 263

Pablo Picasso, Avant la Pique, 1959

Color Linocut on Arches Paper, 21 x 26 inches

Pablo Picasso | Avant la Pique | 1959 | Contessa Gallery
Pablo Picasso, Femme Couchée et Homme í  la Guitare, 1959
Color Linocut on Arches Paper, 20 x 25 inches
163 / 263

Pablo Picasso, Femme Couchée et Homme í  la Guitare, 1959

Color Linocut on Arches Paper, 20 x 25 inches

Pablo Picasso | Femme Couchée et Homme í  la Guitare | 1959 | Contessa Gallery
Pablo Picasso, Le Vase de Fleurs, 1959
Color Lithograph, 25 x 21 inches
164 / 263

Pablo Picasso, Le Vase de Fleurs, 1959

Color Lithograph, 25 x 21 inches

Pablo Picasso | Le Vase de Fleurs | 1959 | Contessa Gallery
Pablo Picasso, Minotaur Caressant une Dormeuse, Pl. 93 (From La Suite Vollard), 1933
Etching, 11 5/8 x 14 1/4 inches
165 / 263

Pablo Picasso, Minotaur Caressant une Dormeuse, Pl. 93 (From La Suite Vollard), 1933

Etching, 11 5/8 x 14 1/4 inches

Pablo Picasso | Minotaur Caressant une Dormeuse, Pl. 93 (From La Suite Vollard) | 1933 | Contessa Gallery
Pablo Picasso, Taureau Ailé Contemplé par Quatre Enfants, 1933
Etching on Montval Paper, 9 x 11 inches
166 / 263

Pablo Picasso, Taureau Ailé Contemplé par Quatre Enfants, 1933

Etching on Montval Paper, 9 x 11 inches

Pablo Picasso | Taureau Ailé Contemplé par Quatre Enfants | 1933 | Contessa Gallery
Markus Pierson, Seasons Mural, 2005
Mixed Media Graphic, 84 x 168 inches
167 / 263

Markus Pierson, Seasons Mural, 2005

Mixed Media Graphic, 84 x 168 inches

Markus Pierson | Seasons Mural | 2005 | Contessa Gallery
Robert Rauschenberg, Eagle Eye (Ruminations), 1999
Intaglio, 49 3/4 x 38 inches
168 / 263

Robert Rauschenberg, Eagle Eye (Ruminations), 1999

Intaglio, 49 3/4 x 38 inches

Robert Rauschenberg | Eagle Eye (Ruminations) | 1999 | Contessa Gallery
Robert Rauschenberg, Epic (Ground Rules), 1997
Intaglio, 56 3/4 x 40 3/4 inches
169 / 263

Robert Rauschenberg, Epic (Ground Rules), 1997

Intaglio, 56 3/4 x 40 3/4 inches

Robert Rauschenberg | Epic (Ground Rules) | 1997 | Contessa Gallery
Robert Rauschenberg, Untitled, 1997
Serigraph, 40 x 50 1/2 inches
170 / 263

Robert Rauschenberg, Untitled, 1997

Serigraph, 40 x 50 1/2 inches

Robert Rauschenberg | Untitled | 1997 | Contessa Gallery
Robert Rauschenberg, Booster, 1967
Color Lithograph and Screenprint on Curtis Rag Paper, 72 x 35 1/2 inches
171 / 263

Robert Rauschenberg, Booster, 1967

Color Lithograph and Screenprint on Curtis Rag Paper, 72 x 35 1/2 inches

Robert Rauschenberg | Booster | 1967 | Contessa Gallery
Pierre Auguste Renoir, Maternité, Grande Planche, ca. 1912
Lithograph (Black and Grey) Printed on Laid Paper, 21 1/4 x 19 inches
172 / 263

Pierre Auguste Renoir, Maternité, Grande Planche, ca. 1912

Lithograph (Black and Grey) Printed on Laid Paper, 21 1/4 x 19 inches

Pierre Auguste Renoir | Maternité, Grande Planche | ca. 1912 | Contessa Gallery
Pierre Auguste Renoir, Femme Nue Assise, ca. 1906
Soft-Ground Etching in Brownish-Black Ink, 7 3/8 x 5 5/8 inches
173 / 263

Pierre Auguste Renoir, Femme Nue Assise, ca. 1906

Soft-Ground Etching in Brownish-Black Ink, 7 3/8 x 5 5/8 inches

Pierre Auguste Renoir | Femme Nue Assise | ca. 1906 | Contessa Gallery
Pierre Auguste Renoir, Femme Nue Couchée, Tournée a Droite, 14st Plate, ca. 1906
Etching with Drypoint Printed on Wove Paper, 5 1/4 x 7 7/8 inches
174 / 263

Pierre Auguste Renoir, Femme Nue Couchée, Tournée a Droite, 14st Plate, ca. 1906

Etching with Drypoint Printed on Wove Paper, 5 1/4 x 7 7/8 inches

Pierre Auguste Renoir | Femme Nue Couchée, Tournée a Droite, 14st Plate | ca. 1906 | Contessa Gallery
Pierre Auguste Renoir, Claude Renoir, Tourné a Cauche, ca. 1904
Original Chalk Lithograph Printed in Black Ink, 5 x 4 5/8 inches
175 / 263

Pierre Auguste Renoir, Claude Renoir, Tourné a Cauche, ca. 1904

Original Chalk Lithograph Printed in Black Ink, 5 x 4 5/8 inches

Pierre Auguste Renoir | Claude Renoir, Tourné a Cauche | ca. 1904 | Contessa Gallery
Pierre Auguste Renoir, La Pierre aux Trois Croquis, ca. 1904
Original Chalk and Brush Lithograph in Black Ink, 8 7/8 x 11 1/4 inches
176 / 263

Pierre Auguste Renoir, La Pierre aux Trois Croquis, ca. 1904

Original Chalk and Brush Lithograph in Black Ink, 8 7/8 x 11 1/4 inches

Pierre Auguste Renoir | La Pierre aux Trois Croquis | ca. 1904 | Contessa Gallery
Pierre Auguste Renoir, Louis Valtat, ca. 1904
Original Chalk Lithograph in Black Ink, 12 1/6 x 9 7/8 inches
177 / 263

Pierre Auguste Renoir, Louis Valtat, ca. 1904

Original Chalk Lithograph in Black Ink, 12 1/6 x 9 7/8 inches

Pierre Auguste Renoir | Louis Valtat | ca. 1904 | Contessa Gallery
Pierre Auguste Renoir, L"Enfant au Biscuit, ca. 1898 - 1899
Lithograph in Black Ink, 12 5/8 x 10 1/2 inches
178 / 263

Pierre Auguste Renoir, L"Enfant au Biscuit, ca. 1898 - 1899

Lithograph in Black Ink, 12 5/8 x 10 1/2 inches

Pierre Auguste Renoir | L"Enfant au Biscuit | ca. 1898 - 1899 | Contessa Gallery
Pierre Auguste Renoir, Le Chapeau Épinglé (La Fille de Berthe Morisot et Sa Cousine), 1st Plate, ca. 1894/1914
Etching in Black Ink on Laid Paper, 8 1/4 x 6 1/8 inches
179 / 263

Pierre Auguste Renoir, Le Chapeau Épinglé (La Fille de Berthe Morisot et Sa Cousine), 1st Plate, ca. 1894/1914

Etching in Black Ink on Laid Paper, 8 1/4 x 6 1/8 inches

Pierre Auguste Renoir | Le Chapeau Épinglé (La Fille de Berthe Morisot et Sa Cousine), 1st Plate | ca. 1894/1914 | Contessa Gallery
Pierre Auguste Renoir, Sur La Plage, A Berneval, ca. 1892/1923
Etching in Black Ink Printed on Wove Paper, 5 1/2 x 3 3/4 inches
180 / 263

Pierre Auguste Renoir, Sur La Plage, A Berneval, ca. 1892/1923

Etching in Black Ink Printed on Wove Paper, 5 1/2 x 3 3/4 inches

Pierre Auguste Renoir | Sur La Plage, A Berneval | ca. 1892/1923 | Contessa Gallery
Pierre Auguste Renoir, Dance in the Country, ca. 1890
Soft-Ground Etching in Black Ink, 8 5/8 x 5 1/3 inches
181 / 263

Pierre Auguste Renoir, Dance in the Country, ca. 1890

Soft-Ground Etching in Black Ink, 8 5/8 x 5 1/3 inches

Pierre Auguste Renoir | Dance in the Country | ca. 1890 | Contessa Gallery
Pierre Auguste Renoir, Baigneuse Debout, En Pied, ca, 1896
Lithograph in Colors, 16 x 13 inches
182 / 263

Pierre Auguste Renoir, Baigneuse Debout, En Pied, ca, 1896

Lithograph in Colors, 16 x 13 inches

Pierre Auguste Renoir | Baigneuse Debout, En Pied | ca, 1896 | Contessa Gallery
Pierre Auguste Renoir, Le Petit Garcon au Porte-Plume, 1902-1903/1904
Original Lithograph in Black Ink, 11 3/4 x 15 3/4 inches
183 / 263

Pierre Auguste Renoir, Le Petit Garcon au Porte-Plume, 1902-1903/1904

Original Lithograph in Black Ink, 11 3/4 x 15 3/4 inches

Pierre Auguste Renoir | Le Petit Garcon au Porte-Plume | 1902-1903/1904 | Contessa Gallery
Pierre Auguste Renoir, L'Enfant au Buiscuit, 1898
Color Lithograph, 24 5/8 x 18 1/2 inches
184 / 263

Pierre Auguste Renoir, L'Enfant au Buiscuit, 1898

Color Lithograph, 24 5/8 x 18 1/2 inches

Pierre Auguste Renoir | L'Enfant au Buiscuit | 1898 | Contessa Gallery
Pierre Auguste Renoir, Le Chapeau Épinglé, 1897
Color Lithograph, 23 5/8 x 19 1/4 inches
185 / 263

Pierre Auguste Renoir, Le Chapeau Épinglé, 1897

Color Lithograph, 23 5/8 x 19 1/4 inches

Pierre Auguste Renoir | Le Chapeau Épinglé | 1897 | Contessa Gallery
Manuel Robbe, La Liseuese au Moulage, 1902 - 1903
Etching in Colors on Laid Paper, 17 x 12 inches
186 / 263

Manuel Robbe, La Liseuese au Moulage, 1902 - 1903

Etching in Colors on Laid Paper, 17 x 12 inches

Manuel Robbe | La Liseuese au Moulage | 1902 - 1903 | Contessa Gallery
James Rosenquist, The Xenophobic Movie Director or Our Foreign Policy, 2011
15-Color Lithograph, 25 x 58 inches
187 / 263

James Rosenquist, The Xenophobic Movie Director or Our Foreign Policy, 2011

15-Color Lithograph, 25 x 58 inches

James Rosenquist | The Xenophobic Movie Director or Our Foreign Policy | 2011 | Contessa Gallery
James Rosenquist, Hitchhiker - Speed of Light, 1999
Lithograph, 36 1/4 x 42 1/2 inches
188 / 263

James Rosenquist, Hitchhiker - Speed of Light, 1999

Lithograph, 36 1/4 x 42 1/2 inches

James Rosenquist | Hitchhiker - Speed of Light | 1999 | Contessa Gallery
James Rosenquist, Caught One Lost One for the Fast Student or Star Catcher, 1988 - 1989
Colored, Pressed Paper Pulp, 54 1/2 x 38 inches
189 / 263

James Rosenquist, Caught One Lost One for the Fast Student or Star Catcher, 1988 - 1989

Colored, Pressed Paper Pulp, 54 1/2 x 38 inches

James Rosenquist | Caught One Lost One for the Fast Student or Star Catcher | 1988 - 1989 | Contessa Gallery
James Rosenquist, House of Fire, 1988 - 1989
Colored, Pressed Paper Pulp, 54 1/2 x 119 3/4 inches
190 / 263

James Rosenquist, House of Fire, 1988 - 1989

Colored, Pressed Paper Pulp, 54 1/2 x 119 3/4 inches

James Rosenquist | House of Fire | 1988 - 1989 | Contessa Gallery
James Rosenquist, Skull Snap, 1988 - 1989
Colored, Pressed Paper Pulp, 59 1/2 x 59 1/2 inches
191 / 263

James Rosenquist, Skull Snap, 1988 - 1989

Colored, Pressed Paper Pulp, 59 1/2 x 59 1/2 inches

James Rosenquist | Skull Snap | 1988 - 1989 | Contessa Gallery
James Rosenquist, Skull Snap, State I, 1988 - 1989
Colored, Pressed Paper Pulp, 59 1/2 x 59 1/2 inches
192 / 263

James Rosenquist, Skull Snap, State I, 1988 - 1989

Colored, Pressed Paper Pulp, 59 1/2 x 59 1/2 inches

James Rosenquist | Skull Snap, State I | 1988 - 1989 | Contessa Gallery
James Rosenquist, Sky Hole (From Welcome to the Water Planet Series), 1988 - 1989
Colored, Pressed Paper Pulp, 106 x 65 inches
193 / 263

James Rosenquist, Sky Hole (From Welcome to the Water Planet Series), 1988 - 1989

Colored, Pressed Paper Pulp, 106 x 65 inches

James Rosenquist | Sky Hole (From Welcome to the Water Planet Series) | 1988 - 1989 | Contessa Gallery
James Rosenquist, Space Dust, 1988 - 1989
Colored, Pressed Paper Pulp, 66 1/2 x 105 1/4 inches
194 / 263

James Rosenquist, Space Dust, 1988 - 1989

Colored, Pressed Paper Pulp, 66 1/2 x 105 1/4 inches

James Rosenquist | Space Dust | 1988 - 1989 | Contessa Gallery
James Rosenquist, Sun Sets on the Time Zone, 1988 - 1989
Sun Sets on the Time Zone, 79 1/2 x 58 inches
195 / 263

James Rosenquist, Sun Sets on the Time Zone, 1988 - 1989

Sun Sets on the Time Zone, 79 1/2 x 58 inches

James Rosenquist | Sun Sets on the Time Zone | 1988 - 1989 | Contessa Gallery
James Rosenquist, The Bird of Paradise Approaches the Hot Water Planet, 1988 - 1989
Colored, Pressed Paper Pulp, 97 x 84 1/2 inches
196 / 263

James Rosenquist, The Bird of Paradise Approaches the Hot Water Planet, 1988 - 1989

Colored, Pressed Paper Pulp, 97 x 84 1/2 inches

James Rosenquist | The Bird of Paradise Approaches the Hot Water Planet | 1988 - 1989 | Contessa Gallery
James Rosenquist, Time Door Time D'Or, 1988 - 1989
Colored, Pressed Paper Pulp, 97 1/2 x 120 inches
197 / 263

James Rosenquist, Time Door Time D'Or, 1988 - 1989

Colored, Pressed Paper Pulp, 97 1/2 x 120 inches

James Rosenquist | Time Door Time D'Or | 1988 - 1989 | Contessa Gallery
James Rosenquist, Where the Water Goes, 1988 - 1989
Colored, Pressed Paper Pulp, 102 3/4 x 58 inches
198 / 263

James Rosenquist, Where the Water Goes, 1988 - 1989

Colored, Pressed Paper Pulp, 102 3/4 x 58 inches

James Rosenquist | Where the Water Goes | 1988 - 1989 | Contessa Gallery
James Rosenquist, Persistence of Electrons in Space, 1987
Intaglio, 40 x 36 1/4 inches
199 / 263

James Rosenquist, Persistence of Electrons in Space, 1987

Intaglio, 40 x 36 1/4 inches

James Rosenquist | Persistence of Electrons in Space | 1987 | Contessa Gallery
James Rosenquist, Elbow Lake, 1977
Silkscreen, 73 1/2 x 36 1/4 inches
200 / 263

James Rosenquist, Elbow Lake, 1977

Silkscreen, 73 1/2 x 36 1/4 inches

James Rosenquist | Elbow Lake | 1977 | Contessa Gallery
James Rosenquist, Off the Continental Divide, 1973
Lithograph, 42 x 78 inches
201 / 263

James Rosenquist, Off the Continental Divide, 1973

Lithograph, 42 x 78 inches

James Rosenquist | Off the Continental Divide | 1973 | Contessa Gallery
Frank Stella, Juam, 1997
Color Relief, Etching, Aquatint, Lithograph, Screenprint, Woodcut, Engraving on Two Sheets of TGL Handmade, Hand-Colored Paper, 78 3/8 x 59 7/8 inches
202 / 263

Frank Stella, Juam, 1997

Color Relief, Etching, Aquatint, Lithograph, Screenprint, Woodcut, Engraving on Two Sheets of TGL Handmade, Hand-Colored Paper, 78 3/8 x 59 7/8 inches

Frank Stella | Juam | 1997 | Contessa Gallery
Frank Stella, Libertina, 1995
Relief, Screenprint, Etching, Aquatint, Lithograph and Engraving in Colors, 21 1/4 x 49 3/8 inches
203 / 263

Frank Stella, Libertina, 1995

Relief, Screenprint, Etching, Aquatint, Lithograph and Engraving in Colors, 21 1/4 x 49 3/8 inches

Frank Stella | Libertina | 1995 | Contessa Gallery
Frank Stella, The Affidavit, 1993
Lithograph, Etching, Aquatint, Relief and Screenprint in Colors, 60 1/2 x 43 3/4 inches
204 / 263

Frank Stella, The Affidavit, 1993

Lithograph, Etching, Aquatint, Relief and Screenprint in Colors, 60 1/2 x 43 3/4 inches

Frank Stella | The Affidavit | 1993 | Contessa Gallery
Frank Stella, The Monkey Rope (From the Moby Dick Dackle Edge Series), 1993
Lithograph, Screenprint and Relief-Printed Aquatint in Colors, 23 7/8 x 68 1/8 inches
205 / 263

Frank Stella, The Monkey Rope (From the Moby Dick Dackle Edge Series), 1993

Lithograph, Screenprint and Relief-Printed Aquatint in Colors, 23 7/8 x 68 1/8 inches

Frank Stella | The Monkey Rope (From the Moby Dick Dackle Edge Series) | 1993 | Contessa Gallery
Frank Stella, A Hungry Cat Ate up a Goat, 1984
Silkscreen, Lithograph, Linoleum Block, 57 3/4 x 50 inches
206 / 263

Frank Stella, A Hungry Cat Ate up a Goat, 1984

Silkscreen, Lithograph, Linoleum Block, 57 3/4 x 50 inches

Frank Stella | A Hungry Cat Ate up a Goat | 1984 | Contessa Gallery
Frank Stella, The Butcher Came and Slew the Ox, 1984
Lithograph, Linocut & Screenprint in Colors with Hand-Coloring & Collage, 56 7/8 x 53 3/8 inches
207 / 263

Frank Stella, The Butcher Came and Slew the Ox, 1984

Lithograph, Linocut & Screenprint in Colors with Hand-Coloring & Collage, 56 7/8 x 53 3/8 inches

Frank Stella | The Butcher Came and Slew the Ox | 1984 | Contessa Gallery
Frank Stella, Imola Five II, 1983
Relief-Printed Woodcut in Colors, 66 x 49 inches
208 / 263

Frank Stella, Imola Five II, 1983

Relief-Printed Woodcut in Colors, 66 x 49 inches

Frank Stella | Imola Five II | 1983 | Contessa Gallery
Frank Stella, One Small Goat Papa Bought for Two Zuzim, 1982-1984
Lithograph, linocut, and screenprint in colors with hand-coloring and collage, 57 x 56 inches
209 / 263

Frank Stella, One Small Goat Papa Bought for Two Zuzim, 1982-1984

Lithograph, linocut, and screenprint in colors with hand-coloring and collage, 57 x 56 inches

Frank Stella | One Small Goat Papa Bought for Two Zuzim | 1982-1984 | Contessa Gallery
James Jacques Tissot, Le Portique de la Galerie Nationale a Londres, ca. 1887
Etching and Drypoint, 14 7/8 x 8 1/4 inches
210 / 263

James Jacques Tissot, Le Portique de la Galerie Nationale a Londres, ca. 1887

Etching and Drypoint, 14 7/8 x 8 1/4 inches

James Jacques Tissot | Le Portique de la Galerie Nationale a Londres | ca. 1887 | Contessa Gallery
James Jacques Tissot, Le Banc de Jardin, ca. 1883
Mezzotint Printed on Chine Applique, 16 1/2 x 22 1/8 inches
211 / 263

James Jacques Tissot, Le Banc de Jardin, ca. 1883

Mezzotint Printed on Chine Applique, 16 1/2 x 22 1/8 inches

James Jacques Tissot | Le Banc de Jardin | ca. 1883 | Contessa Gallery
James Jacques Tissot, Le Journal (The Newspaper), ca. 1883
Etching and Drypoint Printed on Laid Paper, 14 7/8 x 11 1/2 inches
212 / 263

James Jacques Tissot, Le Journal (The Newspaper), ca. 1883

Etching and Drypoint Printed on Laid Paper, 14 7/8 x 11 1/2 inches

James Jacques Tissot | Le Journal (The Newspaper) | ca. 1883 | Contessa Gallery
James Jacques Tissot, L'Enfant Prodigué: Frontispiece, ca. 1882
Suite of 5 Etchings, 12 1/4 x 14 3/4 inches
213 / 263

James Jacques Tissot, L'Enfant Prodigué: Frontispiece, ca. 1882

Suite of 5 Etchings, 12 1/4 x 14 3/4 inches

James Jacques Tissot | L'Enfant Prodigué: Frontispiece | ca. 1882 | Contessa Gallery
James Jacques Tissot, Soirée d'Ete, ca. 1882
Etching and Drypoint on Laid Paper, 9 1/8 x 15 5/8 inches
214 / 263

James Jacques Tissot, Soirée d'Ete, ca. 1882

Etching and Drypoint on Laid Paper, 9 1/8 x 15 5/8 inches

James Jacques Tissot | Soirée d'Ete | ca. 1882 | Contessa Gallery
James Jacques Tissot, Au Bord de la Mer, ca. 1880
Etching and Drypoint, 14 15/16 x 5 7/16 inches
215 / 263

James Jacques Tissot, Au Bord de la Mer, ca. 1880

Etching and Drypoint, 14 15/16 x 5 7/16 inches

James Jacques Tissot | Au Bord de la Mer | ca. 1880 | Contessa Gallery
James Jacques Tissot, Garden Party D'Enfants (Children's Garden Party), ca. 1880
Drypoint, 10 x 6 3/8 inches
216 / 263

James Jacques Tissot, Garden Party D'Enfants (Children's Garden Party), ca. 1880

Drypoint, 10 x 6 3/8 inches

James Jacques Tissot | Garden Party D'Enfants (Children's Garden Party) | ca. 1880 | Contessa Gallery
James Jacques Tissot, La Mystérieuse, 1885
Etching and Drypoint, 15 5/8 x 9 7/8 inches
217 / 263

James Jacques Tissot, La Mystérieuse, 1885

Etching and Drypoint, 15 5/8 x 9 7/8 inches

James Jacques Tissot | La Mystérieuse | 1885 | Contessa Gallery
James Jacques Tissot, L'Enfant Prodigue: En Pays Étranger, 1882
Suite of 5 Etchings, 12 1/4 x 14 3/4 inches
218 / 263

James Jacques Tissot, L'Enfant Prodigue: En Pays Étranger, 1882

Suite of 5 Etchings, 12 1/4 x 14 3/4 inches

James Jacques Tissot | L'Enfant Prodigue: En Pays Étranger | 1882 | Contessa Gallery
James Jacques Tissot, L'Enfant Prodigue: Le Retour, 1882
Suite of 5 Etchings, 12 1/4 x 14 3/4 inches
219 / 263

James Jacques Tissot, L'Enfant Prodigue: Le Retour, 1882

Suite of 5 Etchings, 12 1/4 x 14 3/4 inches

James Jacques Tissot | L'Enfant Prodigue: Le Retour | 1882 | Contessa Gallery
James Jacques Tissot, L'Enfant Prodigue: Le Veau Gras, 1882
Suite of 5 Etchings, 12 1/4 x 14 3/4 inches
220 / 263

James Jacques Tissot, L'Enfant Prodigue: Le Veau Gras, 1882

Suite of 5 Etchings, 12 1/4 x 14 3/4 inches

James Jacques Tissot | L'Enfant Prodigue: Le Veau Gras | 1882 | Contessa Gallery
James Jacques Tissot, Sur L'Herbe, 1880
Etching and Drypoint, 7 3/4 x 10 5/8 inches
221 / 263

James Jacques Tissot, Sur L'Herbe, 1880

Etching and Drypoint, 7 3/4 x 10 5/8 inches

James Jacques Tissot | Sur L'Herbe | 1880 | Contessa Gallery
James Jacques Tissot, Printemps, 1878
Etching and Drypoint on Laid Paper, 15 x 5 3/8 inches
222 / 263

James Jacques Tissot, Printemps, 1878

Etching and Drypoint on Laid Paper, 15 x 5 3/8 inches

James Jacques Tissot | Printemps | 1878 | Contessa Gallery
James Jacques Tissot, Trafalgar Tavern, Greenwich, 1878
Etching and Drypoint, 13 7/8 x 9 5/8 inches
223 / 263

James Jacques Tissot, Trafalgar Tavern, Greenwich, 1878

Etching and Drypoint, 13 7/8 x 9 5/8 inches

James Jacques Tissot | Trafalgar Tavern, Greenwich | 1878 | Contessa Gallery
Henri de Toulouse-Lautrec, Le Jockey - Chevaux de Courses, ca. 1899
Lithograph, 20 1/4 x 14 1/4 inches
224 / 263

Henri de Toulouse-Lautrec, Le Jockey - Chevaux de Courses, ca. 1899

Lithograph, 20 1/4 x 14 1/4 inches

Henri de Toulouse-Lautrec | Le Jockey - Chevaux de Courses | ca. 1899 | Contessa Gallery
Henri de Toulouse-Lautrec, Promenoir, ca. 1899
Lithograph Printed in Olive Black Green Ink, 22 1/2 x 18 5/8 inches
225 / 263

Henri de Toulouse-Lautrec, Promenoir, ca. 1899

Lithograph Printed in Olive Black Green Ink, 22 1/2 x 18 5/8 inches

Henri de Toulouse-Lautrec | Promenoir | ca. 1899 | Contessa Gallery
Henri de Toulouse-Lautrec, Femme au Tub, ca. 1896
Original Color Crayon Brush and Spatter Lithograph Printed on Wove Paper, 15 3/4 x 20 1/2 inches
226 / 263

Henri de Toulouse-Lautrec, Femme au Tub, ca. 1896

Original Color Crayon Brush and Spatter Lithograph Printed on Wove Paper, 15 3/4 x 20 1/2 inches

Henri de Toulouse-Lautrec | Femme au Tub | ca. 1896 | Contessa Gallery
Henri de Toulouse-Lautrec, La Troupe de Mademoiselle Eglantine, ca. 1896
Original Color Lithograph, 24 5/8 x 31 3/4 inches
227 / 263

Henri de Toulouse-Lautrec, La Troupe de Mademoiselle Eglantine, ca. 1896

Original Color Lithograph, 24 5/8 x 31 3/4 inches

Henri de Toulouse-Lautrec | La Troupe de Mademoiselle Eglantine | ca. 1896 | Contessa Gallery
Henri de Toulouse-Lautrec, La Vache Enragee, ca. 1896
Original Color Lithograph, 30 x 23 inches
228 / 263

Henri de Toulouse-Lautrec, La Vache Enragee, ca. 1896

Original Color Lithograph, 30 x 23 inches

Henri de Toulouse-Lautrec | La Vache Enragee | ca. 1896 | Contessa Gallery
Henri de Toulouse-Lautrec, La Revue Blanche, ca. 1895
Original Lithograph Printed in Four Colors, 49 3/8 x 35 7/8 inches
229 / 263

Henri de Toulouse-Lautrec, La Revue Blanche, ca. 1895

Original Lithograph Printed in Four Colors, 49 3/8 x 35 7/8 inches

Henri de Toulouse-Lautrec | La Revue Blanche | ca. 1895 | Contessa Gallery
Henri de Toulouse-Lautrec, May Milton, ca. 1895
Lithograph in Five Colors, 31 x 23 1/2 inches
230 / 263

Henri de Toulouse-Lautrec, May Milton, ca. 1895

Lithograph in Five Colors, 31 x 23 1/2 inches

Henri de Toulouse-Lautrec | May Milton | ca. 1895 | Contessa Gallery
Henri de Toulouse-Lautrec, Comique Excentrique Anglais, ca. 1893
Lithograph, 13 7/8 x 7 7/8 inches
231 / 263

Henri de Toulouse-Lautrec, Comique Excentrique Anglais, ca. 1893

Lithograph, 13 7/8 x 7 7/8 inches

Henri de Toulouse-Lautrec | Comique Excentrique Anglais | ca. 1893 | Contessa Gallery
Henri de Toulouse-Lautrec, Confetti, ca. 1893
Original Brush, Spatter and Crayon Lithograph, 22 1/4 x 17 1/2 inches
232 / 263

Henri de Toulouse-Lautrec, Confetti, ca. 1893

Original Brush, Spatter and Crayon Lithograph, 22 1/4 x 17 1/2 inches

Henri de Toulouse-Lautrec | Confetti | ca. 1893 | Contessa Gallery
Henri de Toulouse-Lautrec, Divan Japonais, ca. 1893
Original Color Lithograph, 31 7/8 x 24 5/8 inches
233 / 263

Henri de Toulouse-Lautrec, Divan Japonais, ca. 1893

Original Color Lithograph, 31 7/8 x 24 5/8 inches

Henri de Toulouse-Lautrec | Divan Japonais | ca. 1893 | Contessa Gallery
Henri de Toulouse-Lautrec, La Chaine Simpson, 1900
Maitres de l'Affiche Lithograph, 11 3/8 x 15 7/5 inches
234 / 263

Henri de Toulouse-Lautrec, La Chaine Simpson, 1900

Maitres de l'Affiche Lithograph, 11 3/8 x 15 7/5 inches

Henri de Toulouse-Lautrec | La Chaine Simpson | 1900 | Contessa Gallery
Henri de Toulouse-Lautrec, La Goulue, 1898
Maitres de l'Affiche Lithograph, 15 7/5 x 13 3/8 inches
235 / 263

Henri de Toulouse-Lautrec, La Goulue, 1898

Maitres de l'Affiche Lithograph, 15 7/5 x 13 3/8 inches

Henri de Toulouse-Lautrec | La Goulue | 1898 | Contessa Gallery
Henri de Toulouse-Lautrec, Divan Japonais, 1896
Maitres de l'Affiche Lithograph, 15 3/4 x 11 3/8 inches
236 / 263

Henri de Toulouse-Lautrec, Divan Japonais, 1896

Maitres de l'Affiche Lithograph, 15 3/4 x 11 3/8 inches

Henri de Toulouse-Lautrec | Divan Japonais | 1896 | Contessa Gallery
Henri de Toulouse-Lautrec, Jane Avril's Appearance at the Jardin de Paris, 1893
Maitres de l'Affiche Lithograph, 15 3/4 x 11 3/8 inches
237 / 263

Henri de Toulouse-Lautrec, Jane Avril's Appearance at the Jardin de Paris, 1893

Maitres de l'Affiche Lithograph, 15 3/4 x 11 3/8 inches

Henri de Toulouse-Lautrec | Jane Avril's Appearance at the Jardin de Paris | 1893 | Contessa Gallery
Rembrandt van Rijn, The Golf Player, 1654
Etching, 3 3/4 x 5 5/8 inches
238 / 263

Rembrandt van Rijn, The Golf Player, 1654

Etching, 3 3/4 x 5 5/8 inches

Rembrandt van Rijn | The Golf Player | 1654 | Contessa Gallery
Rembrandt van Rijn, David in Prayer, 1652
Etching, 5 5/8 x 3 5/8 inches
239 / 263

Rembrandt van Rijn, David in Prayer, 1652

Etching, 5 5/8 x 3 5/8 inches

Rembrandt van Rijn | David in Prayer | 1652 | Contessa Gallery
Andy Warhol, General Custer, 1986
Screenprint on Lenox Museum Board, 36 x 36 inches
240 / 263

Andy Warhol, General Custer, 1986

Screenprint on Lenox Museum Board, 36 x 36 inches

Andy Warhol | General Custer | 1986 | Contessa Gallery
Andy Warhol, Teddy Roosevelt, 1986
Screenprint on Lenox Museum Board, 36 x 36 inches
241 / 263

Andy Warhol, Teddy Roosevelt, 1986

Screenprint on Lenox Museum Board, 36 x 36 inches

Andy Warhol | Teddy Roosevelt | 1986 | Contessa Gallery
Andy Warhol, Van Heusen (Ronald Reagan), 1985
Screenprint on Lenox Museum Board, 38 x 38 inches
242 / 263

Andy Warhol, Van Heusen (Ronald Reagan), 1985

Screenprint on Lenox Museum Board, 38 x 38 inches

Andy Warhol | Van Heusen (Ronald Reagan) | 1985 | Contessa Gallery
Andy Warhol, Volkswagen, 1985
Screenprint on Lenox Museum Board, 38 x 38 inches
243 / 263

Andy Warhol, Volkswagen, 1985

Screenprint on Lenox Museum Board, 38 x 38 inches

Andy Warhol | Volkswagen | 1985 | Contessa Gallery
Andy Warhol, San Francisco Silverspot, 1983
Silkscreen on Lenox Museum Board, 38 x 38 inches
244 / 263

Andy Warhol, San Francisco Silverspot, 1983

Silkscreen on Lenox Museum Board, 38 x 38 inches

Andy Warhol | San Francisco Silverspot | 1983 | Contessa Gallery
Andy Warhol, Howdy Doody, 1981
Screenprint on Lenox Museum Board, 38 x 38 inches
245 / 263

Andy Warhol, Howdy Doody, 1981

Screenprint on Lenox Museum Board, 38 x 38 inches

Andy Warhol | Howdy Doody | 1981 | Contessa Gallery
Andy Warhol, Kimiko, 1981
Screenprint on Stonehenge Paper, 36 x 36 inches
246 / 263

Andy Warhol, Kimiko, 1981

Screenprint on Stonehenge Paper, 36 x 36 inches

Andy Warhol | Kimiko | 1981 | Contessa Gallery
Andy Warhol, Franz Kafka (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
247 / 263

Andy Warhol, Franz Kafka (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | Franz Kafka (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, George Gershwin (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
248 / 263

Andy Warhol, George Gershwin (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | George Gershwin (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, Gertrude Stein (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
249 / 263

Andy Warhol, Gertrude Stein (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | Gertrude Stein (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, Golda Meir (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
250 / 263

Andy Warhol, Golda Meir (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | Golda Meir (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, Louis Brandeis (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
251 / 263

Andy Warhol, Louis Brandeis (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | Louis Brandeis (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, Martin Buber (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
252 / 263

Andy Warhol, Martin Buber (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | Martin Buber (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, Sigmund Freud (From Ten Portraits of Jews of the 20th Century), 1980
Screenprint on Lenox Museum Board, 40 x 32 inches
253 / 263

Andy Warhol, Sigmund Freud (From Ten Portraits of Jews of the 20th Century), 1980

Screenprint on Lenox Museum Board, 40 x 32 inches

Andy Warhol | Sigmund Freud (From Ten Portraits of Jews of the 20th Century) | 1980 | Contessa Gallery
Andy Warhol, VIP Ticket - Studio 54, 1978
Original Synthetic Polymer and Silkscreen Inks on Canvas, 8 x 14 1/4 inches
254 / 263

Andy Warhol, VIP Ticket - Studio 54, 1978

Original Synthetic Polymer and Silkscreen Inks on Canvas, 8 x 14 1/4 inches

Andy Warhol | VIP Ticket - Studio 54 | 1978 | Contessa Gallery
Andy Warhol, Mao, 1972
Screenprint on Beckett High White Paper, 36 x 36 inches
255 / 263

Andy Warhol, Mao, 1972

Screenprint on Beckett High White Paper, 36 x 36 inches

Andy Warhol | Mao | 1972 | Contessa Gallery
Andy Warhol, Marilyn Monroe, 1967
Screenprint, 36 x 36 inches
256 / 263

Andy Warhol, Marilyn Monroe, 1967

Screenprint, 36 x 36 inches

Andy Warhol | Marilyn Monroe | 1967 | Contessa Gallery
Tom Wesselmann, Monica Nude with Lichtenstein, 2002
Silkscreen, 36 x 49 1/2 inches
257 / 263

Tom Wesselmann, Monica Nude with Lichtenstein, 2002

Silkscreen, 36 x 49 1/2 inches

Tom Wesselmann | Monica Nude with Lichtenstein | 2002 | Contessa Gallery
Tom Wesselmann, Monica with Cezanne, 1993
Screenprint in Colors, 57 x 40 inches
258 / 263

Tom Wesselmann, Monica with Cezanne, 1993

Screenprint in Colors, 57 x 40 inches

Tom Wesselmann | Monica with Cezanne | 1993 | Contessa Gallery
Tom Wesselmann, Still Life with Liz, 1993
Silkscreen, 59 1/2 x 57 inches
259 / 263

Tom Wesselmann, Still Life with Liz, 1993

Silkscreen, 59 1/2 x 57 inches

Tom Wesselmann | Still Life with Liz | 1993 | Contessa Gallery
Tom Wesselmann, Still Life with Matisse and Johns, 1993
Silkscreen, 45 1/4 x 59 inches
260 / 263

Tom Wesselmann, Still Life with Matisse and Johns, 1993

Silkscreen, 45 1/4 x 59 inches

Tom Wesselmann | Still Life with Matisse and Johns | 1993 | Contessa Gallery
Tom Wesselmann, Big Blonde with Choker, 1992
Silkscreen, 49 1/2 x 70 inches
261 / 263

Tom Wesselmann, Big Blonde with Choker, 1992

Silkscreen, 49 1/2 x 70 inches

Tom Wesselmann | Big Blonde with Choker | 1992 | Contessa Gallery
Tom Wesselmann, Still Life with Lichtenstein, 1992
Silkscreen, 42 1/2 x 59 inches
262 / 263

Tom Wesselmann, Still Life with Lichtenstein, 1992

Silkscreen, 42 1/2 x 59 inches

Tom Wesselmann | Still Life with Lichtenstein | 1992 | Contessa Gallery
Tom Wesselmann, New Bedroom Blonde Doodle, 1991
Silkscreen, 30 x 35 inches
263 / 263

Tom Wesselmann, New Bedroom Blonde Doodle, 1991

Silkscreen, 30 x 35 inches

Tom Wesselmann | New Bedroom Blonde Doodle | 1991 | Contessa Gallery
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Louise Bourgeois, Crochet I
1998, Mixografia Print on Handmade Paper
Louise Bourgeois, Crochet II
1998, Mixografia Print on Handmade Paper
Louise Bourgeois, Spider
1995, Drypoint Etching
Alex G. Cao, BASQUIATPHILISTINES vs BASQUIAT
2013, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, ELVIS vs WARHOL
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, I CARE, AFTER LICHTENSTEIN
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, KISS KLIMT vs RODIN
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, LISA vs PENN, AFTER PENN
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MATISSE DANCE vs MUNCH SCREAM
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, POLLOCK vs POLLOCK, AFTER POLLOCK
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, WAR AND PEACE, PICASSO vs MATISSE
2012, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, COURBETPORTRAIT vs COURBETORIGIN
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, ERMINE vs DAVINCI
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, FLAG vs JFK
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, I LOVE YOU, TOO, LICHTENSTEIN vs LICHTENSTEIN
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, INGRESBATH vs COURBETORIGIN
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, LEREVE, MARIETHERESE vs PICASSO
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, LIZ vs BURTON, AFTER HALSMAN
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MANRAYTEAR vs TEAR
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MARIETHERESE vs PICASSO
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MICKJAGGER vs KEITHRICHARDS, AFTER VADUKUL
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MODIGILIANI vs MARILYN
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, NAPOLEON vs JOSEPHINE
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, SINATRA vs MINNELLI II
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, STEVEJOBS vs NEILARMSTRONG, AFTER WATSON
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, VENUS vs DAVID
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, WESTONNUDE vs WESTONPEPPER
2011, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, BRIGITTEBARDOT vs CATHERINEDENEUVE, AFTER AVEDON
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, ELVIS vs JOHNLENNON
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, GANDHI vs MOTHERTERESA
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, HORST vs DEGAS
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, KATE vs DAVID, AFTER AVEDON
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MAO vs WARHOL
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MOTHERTERESA vs GANDHI
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, ORCHID vs MAPPLETHORPE, AFTER MAPPLETHORPE
2010, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, HEPBURN vs DIETRICH
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, JAMESDEAN vs ELVIS
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, LAUREN vs LEIGHTON, BATH OF PSYCHE, AFTER AVEDON
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, LINCOLN vs OBAMA
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MAO vs MARILYN
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MARILYN vs BRIGITTE
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, MARILYN vs MONALISA
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, OBAMA vs LINCOLN
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, PRINCESSDIANA vs PRINCESSGRACE
2009, Chromogenic Print with Dibond Plexiglass
Alex G. Cao, PRINCESSGRACE vs PRINCERAINIER
2009, Chromogenic Print with Dibond Plexiglass
Mary Cassatt, The Picture Book
ca. 1901, Drypoint
Mary Cassatt, The Parrot
ca. 1891, Drypoint
Mary Cassatt, The Stocking
ca. 1890, Drypoint Printed in Brown Ink on Green Laid Paper
Marc Chagall, The Dead Dolphin & The 300 Drachmas
1961, Lithograph
Chuck Close, Self-Portrait
2016, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Cindy (Smile)
2013, Archival Watercolor Pigment Print on Hahnemühle Rag Paper
Chuck Close, Self-Portrait (Pink T-shirt)
2013, Watercolor Print
Chuck Close, Self-Portrait (Yellow Raincoat)
2013, Archival Watercolor Pigment Print on Hahnemühle Rag Paper
Chuck Close, Sienna (3/4 View)
2013, Archival Watercolor Pigment Print on Hahnemühle Rag Paper
Chuck Close, Zhang Huan II
2013, 59 color silkscreen with airbrush
Chuck Close, Brad
2012, Woodburytype
Chuck Close, Brad
2012, Woodburytype
Chuck Close, Brad
2012, Woodburytype
Chuck Close, Cecily
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Kara
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Kate Diptych
2012, Woodburytype
Chuck Close, Linda
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Mark
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Nat
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Self-Portrait
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Susan
2012, Multiples made using felt stamps to hand apply oil paints on a silkscreen ground
Chuck Close, Phil Crosshatch
2010, Engraving with embossment on Twinrocker handmade paper
Chuck Close, Phil Houndstooth
2009, Engraving with embossment on Twinrocker handmade paper
Chuck Close, Phil/Fingerprint
2009, Screenprint
Chuck Close, Self-Portrait (anamorphic)
2009, 16 Color silkscreen on Toshanga paper, polished stainless steel cylinder, and maple wooden box/platform
Chuck Close, Self-Portrait, Woodcut
2009, Woodcut in 47 Colors
Chuck Close, Untitled, Set of 3 (Brad #1, #2, #3)
2009, Archival Pigment Prints
Chuck Close, Kara
2008, Archival Pigment Print on Fiva Innova Gloss Paper, Chine-Colled to Somerset Satin Paper
Chuck Close, Janet/Pulp
2007, Stenciled Handmade Paper Print
Chuck Close, Self-Portrait
2007, Screenprint in 203 Colors
Chuck Close, Self-Portrait
2007, 10-Color Screenprint
Chuck Close, Self-Portrait Woodcut
2007, 47-Color Handprinted Woodcut in the Ukiyo-e Style with 39 Blocks on Shiramine Paper
Chuck Close, Lucas
2006, Paper/Pulp in 9 Colors
Chuck Close, James
2004, Silkscreen with 178 Colors
Chuck Close, Lyle
2003, 149-Color Silkscreen
Chuck Close, Self-Portrait, Pulp
2001, Colored, Pressed Paper Pulp
Chuck Close, Lyle
2000, 8-Color Softground Etching
Chuck Close, Self-Portrait, Scribble, Etching Portfolio
2000, Set of 25 Prints (12 One-Color Plate Proofs, 12 Progressive Proofs, One Final Signed)
Chuck Close, Self-Portrait/Scribble/Etching
2000, Softground Etching from 12 Color Plates
Chuck Close, S.P. I
1997, Linoleum Cut Printed Reductively
Chuck Close, S.P. II
1997, Linoleum Cut Printed Reductively
Chuck Close, Self-Portrait/Spitbite/White on Black
1997, Spitbite Aquatint
Chuck Close, Alex/Reduction Print (Single)
1993, Screenprint from Reductino Carved Linoleum
Chuck Close, Lucas
1988, Linocut
Chuck Close, Self-Portrait
1988, Spitbite Aquatint
Chuck Close, Leslie/Fingerprint
1986, Direct Gravure Etching
Chuck Close, Georgia Fingerprint (State II)
1985, Direct Gravure Etching
Chuck Close, Georgia
1984, Handmade Paper Pulp
Chuck Close, Robert Manipulated
1982, Handmade Paper
Chuck Close, Self-Portrait, White Ink
1978, Etching & Aquatint
Chuck Close, Keith / Mezzotint
1972, Mezzotint
Jim Dine, Watercolor Zerkall
2004, Lithograph with Handpainted Watercolor
Jim Dine, New Pinocchio #5
2002, Etching, Cardboard Intaglio, Handpainting, Cardboard Relief
Jim Dine, Lakeside
1998, Woodcut
Jim Dine, Olympic Robe
1988, Serigraph on Panel
Eric Fischl, New Works on Paper and in Cast Glass (Portfolio), (Arching Woman, Tumbling Woman, Crouching Woman)
2012, 3 limited edition pigment prints on watercolor paper
Helen Frankenthaler, Aerie
2009, Screenprint
Helen Frankenthaler, Book of Clouds
2007, Aquatint, Etching, Woodcut & Pochoir with Hand Coloring
Helen Frankenthaler, Japanese Maple
2005, Sixteen Color Ukiyo-e Style Woodcut
Helen Frankenthaler, Southern Exposure
2005, Screenprint in Colors
Helen Frankenthaler, Snow Pines
2004, Thirty-Four Color Ukiyo-e Style Woodcut
Helen Frankenthaler, Geisha
2003, Twenty-Three Color Ukiyo-e Style Woodcut
Helen Frankenthaler, Tales of Genji II
1998, Woodcut Printed in Colors, with Pochoir
Helen Frankenthaler, Tales of Genji III
1998, Woodcut Printed in Colors, with Pochoir
Helen Frankenthaler, Freefall
1993, Woodcut Printed in Colors, on Hand-Dyed TGL Handmade Paper
Helen Frankenthaler, Gateway
1988, Etching, Aquatint
Paul César Helleu, Madame de Saint-Sauveur, de Profil
ca. 1910, Drypoint in Colors
Paul César Helleu, La Dame a la Toque
ca. 1906, Drypoint in Color
Paul César Helleu, Femme au Chapeau Noir
ca. 1900, Drypoint
Paul César Helleu, La Femme du Dos (Woman from the Back)
ca. 1900, Drypoint in Colors
Paul César Helleu, Woman with Scarf, Facing Left
ca. 1900, Drypoint in Colors
Paul César Helleu, La Chapeau a Plume
ca. 1898, Color Drypoint Printed on Wove Paper
Paul César Helleu, Fillette Assise de Profil a Gauche
ca. 1895, Drypoint
Paul César Helleu, Cache - Cache
ca. 1888, Drypoint Printed on Laid Paper
Paul César Helleu, La Duchess de Marlborough
1901, Drypoint
Paul César Helleu, Edition Sagot-Estampes & Affiches Illustées
1898 - 1900, Lithograph in Colors
Paul César Helleu, Edition Sagot-Estampes & Affiches Illustrées
1898 - 1900, Lithograph in Colors
Jasper Johns, Untitled (American Center)
1994, Lithograph
Jasper Johns, Target with Plaster Casts (ULAE 208)
1980, Intaglio Printed in Colors
Jasper Johns, Untitled (ULAE 206)
1980, Lithograph in Colors
Wolf Kahn, Down in the Valley
2006, Serigraph on Paper
Wolf Kahn, Barn and Forsythia III
2003, Serigraph on Paper
Roy Lichtenstein, Modern Art I (C. 300)
1996, Screenprint in Colors
Roy Lichtenstein, Reflections on Crash
1990, Lithograph, Screenprint, Relief and Metalized PVC Collage
Roy Lichtenstein, I Love Liberty
1982, Screenprint
Roy Lichtenstein, Reverie (C. 38)
1965, Screenprint in Colors
Roy Lichtenstein, CRAK!
1963/64, Lithograph Printed in Colors
Peter Milton, Hidden Cities I: The Ministry (Second State)
2006, Resist Ground Etching and Engraving
Peter Milton, Hidden Cities III: Continuum
2006, Resist Ground Etching and Engraving
Peter Milton, In Search of Lost Time
2006, Resist Ground Etching and Engraving
Peter Milton, Hidden Cities II: Embarkation of Cythera
2004, Resist Ground Etching and Engraving
Peter Milton, Io and Jupiter
2004, Resist Ground Etching and Engraving
Peter Milton, Visions and Revisions
2001, Resist Ground Etching and Engraving
Peter Milton, Points of Departure IV: Pavane
1999, Resist Ground Etching and Engraving
Peter Milton, Points of Departure II: Nijinsky Variations (Second State)
1996, Resist Ground Etching and Engraving
Joan Miró, Équinoxe, (D. 428)
1967, Etching and Aquatint with Carborundum Printed in Colors
Joan Miró, I. Ubu Roi: Frontispiece, Naissance d'Ubu
1966, Lithograph
Joan Miró, III. Ubu Roi: Chez le Roi de Pologne
1966, Lithograph
Joan Miró, IV. Ubu Roi: La Revue
1966, Lithograph
Joan Miró, IX. Ubu Roi: Le Trésor et la Mère Ubu
1966, Lithograph
Joan Miró, V. Ubu Roi: Le Massacre du Roi de Pologne
1966, Lithograph
Joan Miró, VI. Ubu Roi: Bougrelas et Sa Mère
1966, Lithograph
Joan Miró, VII. Ubu Roi: Les Nobles í  la Trappe
1966, Lithograph
Joan Miró, VIII. Ubu Roi: Chez le Tsar
1966, Lithograph
Joan Miró, X. Ubu Roi: La Guerre
1966, Lithograph
Joan Miró, XI. Ubu Roi: La Nuit, L'Ours
1966, Lithograph
Joan Miró, XII. Ubu Roi: Le Sommeil du Pere Ubu
1966, Lithograph
Joan Miró, XIII. Ubu Roi: Le Voyage de Retour
1966, Lithograph
Alphonse Mucha, L'Estampe Moderne Frontispiece
ca. 1898 - 1899, Lithograph in Colors
Alphonse Mucha, La Samaritaine - Sarah Bernhardt
1899, Original Lithograph from
Alphonse Mucha, La Dame aux Camelias
1898, Matires de l'Affiche Lithograph
Alphonse Mucha, Lorenzaccio
1898, Original Lithograph from
Alphonse Mucha, Salon de Cents
1897, Original Lithograph from
Pablo Picasso, Grande Tíªte de Femme au Chapeau Orné
1962, Linoleum Cut Printed in Colors
Pablo Picasso, Nature Morte Sous la Lampe
1962, Linocut in Colors on Arches Paper
Pablo Picasso, Le Dejeuner sur L'Herbe
1961, Linocut
Pablo Picasso, Avant la Pique
1959, Color Linocut on Arches Paper
Pablo Picasso, Femme Couchée et Homme í  la Guitare
1959, Color Linocut on Arches Paper
Pablo Picasso, Le Vase de Fleurs
1959, Color Lithograph
Pablo Picasso, Minotaur Caressant une Dormeuse, Pl. 93 (From La Suite Vollard)
1933, Etching
Pablo Picasso, Taureau Ailé Contemplé par Quatre Enfants
1933, Etching on Montval Paper
Markus Pierson, Seasons Mural
2005, Mixed Media Graphic
Robert Rauschenberg, Eagle Eye (Ruminations)
1999, Intaglio
Robert Rauschenberg, Epic (Ground Rules)
1997, Intaglio
Robert Rauschenberg, Untitled
1997, Serigraph
Robert Rauschenberg, Booster
1967, Color Lithograph and Screenprint on Curtis Rag Paper
Pierre Auguste Renoir, Maternité, Grande Planche
ca. 1912, Lithograph (Black and Grey) Printed on Laid Paper
Pierre Auguste Renoir, Femme Nue Assise
ca. 1906, Soft-Ground Etching in Brownish-Black Ink
Pierre Auguste Renoir, Femme Nue Couchée, Tournée a Droite, 14st Plate
ca. 1906, Etching with Drypoint Printed on Wove Paper
Pierre Auguste Renoir, Claude Renoir, Tourné a Cauche
ca. 1904, Original Chalk Lithograph Printed in Black Ink
Pierre Auguste Renoir, La Pierre aux Trois Croquis
ca. 1904, Original Chalk and Brush Lithograph in Black Ink
Pierre Auguste Renoir, Louis Valtat
ca. 1904, Original Chalk Lithograph in Black Ink
Pierre Auguste Renoir, L
Pierre Auguste Renoir, Le Chapeau Épinglé (La Fille de Berthe Morisot et Sa Cousine), 1st Plate
ca. 1894/1914, Etching in Black Ink on Laid Paper
Pierre Auguste Renoir, Sur La Plage, A Berneval
ca. 1892/1923, Etching in Black Ink Printed on Wove Paper
Pierre Auguste Renoir, Dance in the Country
ca. 1890, Soft-Ground Etching in Black Ink
Pierre Auguste Renoir, Baigneuse Debout, En Pied
ca, 1896, Lithograph in Colors
Pierre Auguste Renoir, Le Petit Garcon au Porte-Plume
1902-1903/1904, Original Lithograph in Black Ink
Pierre Auguste Renoir, L'Enfant au Buiscuit
1898, Color Lithograph
Pierre Auguste Renoir, Le Chapeau Épinglé
1897, Color Lithograph
Manuel Robbe, La Liseuese au Moulage
1902 - 1903, Etching in Colors on Laid Paper
James Rosenquist, The Xenophobic Movie Director or Our Foreign Policy
2011, 15-Color Lithograph
James Rosenquist, Hitchhiker - Speed of Light
1999, Lithograph
James Rosenquist, Caught One Lost One for the Fast Student or Star Catcher
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, House of Fire
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Skull Snap
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Skull Snap, State I
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Sky Hole (From Welcome to the Water Planet Series)
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Space Dust
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Sun Sets on the Time Zone
1988 - 1989, Sun Sets on the Time Zone
James Rosenquist, The Bird of Paradise Approaches the Hot Water Planet
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Time Door Time D'Or
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Where the Water Goes
1988 - 1989, Colored, Pressed Paper Pulp
James Rosenquist, Persistence of Electrons in Space
1987, Intaglio
James Rosenquist, Elbow Lake
1977, Silkscreen
James Rosenquist, Off the Continental Divide
1973, Lithograph
Frank Stella, Juam
1997, Color Relief, Etching, Aquatint, Lithograph, Screenprint, Woodcut, Engraving on Two Sheets of TGL Handmade, Hand-Colored Paper
Frank Stella, Libertina
1995, Relief, Screenprint, Etching, Aquatint, Lithograph and Engraving in Colors
Frank Stella, The Affidavit
1993, Lithograph, Etching, Aquatint, Relief and Screenprint in Colors
Frank Stella, The Monkey Rope (From the Moby Dick Dackle Edge Series)
1993, Lithograph, Screenprint and Relief-Printed Aquatint in Colors
Frank Stella, A Hungry Cat Ate up a Goat
1984, Silkscreen, Lithograph, Linoleum Block
Frank Stella, The Butcher Came and Slew the Ox
1984, Lithograph, Linocut & Screenprint in Colors with Hand-Coloring & Collage
Frank Stella, Imola Five II
1983, Relief-Printed Woodcut in Colors
Frank Stella, One Small Goat Papa Bought for Two Zuzim
1982-1984, Lithograph, linocut, and screenprint in colors with hand-coloring and collage
James Jacques Tissot, Le Portique de la Galerie Nationale a Londres
ca. 1887, Etching and Drypoint
James Jacques Tissot, Le Banc de Jardin
ca. 1883, Mezzotint Printed on Chine Applique
James Jacques Tissot, Le Journal (The Newspaper)
ca. 1883, Etching and Drypoint Printed on Laid Paper
James Jacques Tissot, L'Enfant Prodigué: Frontispiece
ca. 1882, Suite of 5 Etchings
James Jacques Tissot, Soirée d'Ete
ca. 1882, Etching and Drypoint on Laid Paper
James Jacques Tissot, Au Bord de la Mer
ca. 1880, Etching and Drypoint
James Jacques Tissot, Garden Party D'Enfants (Children's Garden Party)
ca. 1880, Drypoint
James Jacques Tissot, La Mystérieuse
1885, Etching and Drypoint
James Jacques Tissot, L'Enfant Prodigue: En Pays Étranger
1882, Suite of 5 Etchings
James Jacques Tissot, L'Enfant Prodigue: Le Retour
1882, Suite of 5 Etchings
James Jacques Tissot, L'Enfant Prodigue: Le Veau Gras
1882, Suite of 5 Etchings
James Jacques Tissot, Sur L'Herbe
1880, Etching and Drypoint
James Jacques Tissot, Printemps
1878, Etching and Drypoint on Laid Paper
James Jacques Tissot, Trafalgar Tavern, Greenwich
1878, Etching and Drypoint
Henri de Toulouse-Lautrec, Le Jockey - Chevaux de Courses
ca. 1899, Lithograph
Henri de Toulouse-Lautrec, Promenoir
ca. 1899, Lithograph Printed in Olive Black Green Ink
Henri de Toulouse-Lautrec, Femme au Tub
ca. 1896, Original Color Crayon Brush and Spatter Lithograph Printed on Wove Paper
Henri de Toulouse-Lautrec, La Troupe de Mademoiselle Eglantine
ca. 1896, Original Color Lithograph
Henri de Toulouse-Lautrec, La Vache Enragee
ca. 1896, Original Color Lithograph
Henri de Toulouse-Lautrec, La Revue Blanche
ca. 1895, Original Lithograph Printed in Four Colors
Henri de Toulouse-Lautrec, May Milton
ca. 1895, Lithograph in Five Colors
Henri de Toulouse-Lautrec, Comique Excentrique Anglais
ca. 1893, Lithograph
Henri de Toulouse-Lautrec, Confetti
ca. 1893, Original Brush, Spatter and Crayon Lithograph
Henri de Toulouse-Lautrec, Divan Japonais
ca. 1893, Original Color Lithograph
Henri de Toulouse-Lautrec, La Chaine Simpson
1900, Maitres de l'Affiche Lithograph
Henri de Toulouse-Lautrec, La Goulue
1898, Maitres de l'Affiche Lithograph
Henri de Toulouse-Lautrec, Divan Japonais
1896, Maitres de l'Affiche Lithograph
Henri de Toulouse-Lautrec, Jane Avril's Appearance at the Jardin de Paris
1893, Maitres de l'Affiche Lithograph
Rembrandt van Rijn, The Golf Player
1654, Etching
Rembrandt van Rijn, David in Prayer
1652, Etching
Andy Warhol, General Custer
1986, Screenprint on Lenox Museum Board
Andy Warhol, Teddy Roosevelt
1986, Screenprint on Lenox Museum Board
Andy Warhol, Van Heusen (Ronald Reagan)
1985, Screenprint on Lenox Museum Board
Andy Warhol, Volkswagen
1985, Screenprint on Lenox Museum Board
Andy Warhol, San Francisco Silverspot
1983, Silkscreen on Lenox Museum Board
Andy Warhol, Howdy Doody
1981, Screenprint on Lenox Museum Board
Andy Warhol, Kimiko
1981, Screenprint on Stonehenge Paper
Andy Warhol, Franz Kafka (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, George Gershwin (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, Gertrude Stein (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, Golda Meir (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, Louis Brandeis (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, Martin Buber (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, Sigmund Freud (From Ten Portraits of Jews of the 20th Century)
1980, Screenprint on Lenox Museum Board
Andy Warhol, VIP Ticket - Studio 54
1978, Original Synthetic Polymer and Silkscreen Inks on Canvas
Andy Warhol, Mao
1972, Screenprint on Beckett High White Paper
Andy Warhol, Marilyn Monroe
1967, Screenprint
Tom Wesselmann, Monica Nude with Lichtenstein
2002, Silkscreen
Tom Wesselmann, Monica with Cezanne
1993, Screenprint in Colors
Tom Wesselmann, Still Life with Liz
1993, Silkscreen
Tom Wesselmann, Still Life with Matisse and Johns
1993, Silkscreen
Tom Wesselmann, Big Blonde with Choker
1992, Silkscreen
Tom Wesselmann, Still Life with Lichtenstein
1992, Silkscreen
Tom Wesselmann, New Bedroom Blonde Doodle
1991, Silkscreen
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